Art-House Dramas:
Plot
Summary: The story behind the man who trained Bruce Lee:
martial-arts master Ip Man. Filmmakers:
Auteur Kar Wai Wong is one of China’s most celebrated directors with brilliant
films such as Chungking Express,
In the Mood for Love, and 2046. However, his last film My Blueberry Nights was a
massive critical failure and he has been away from features since (until now, six
years later). He is working with frequent collaborators production designer William Chang and composer Shigeru Umebayashi, as well as
composer Nathaniel Mechaly (Taken 2), cinematographer Philippe Le Sourd (Seven Pounds – he also shot
Wong’s recent short Déjà Vu)
and renowned fight chorographer Woo-ping
Yuen. Cast: Tony Leung (who often works with
Wong) stars as Ip Man, and the supporting cast features Ziyi Zhang, Cung Li, Hye-kyo Song, and Chen Chang. Expectations: The Grandmaster in no way resembles
what one would expect from a Kar Wai Wong film; rather it looks like a typical
Chinese-style martial-arts film (with exaggerated, extravagant, and operatic
fight scenes). Critics have been mixed as well, most feeling that it is fine as
an action drama but disappointing as a Kar Wai Wong film (as expectations are
incredibly high for each of his projects). Personally, I have sort of fallen
out of love with martial-arts films. Yimou Zhang made two
of the most beautiful I have seen (Hero and House of Flying Daggers), and
since then everything has been a disappointment by comparison. Plus, the genre
and style are overly tired now, begging for new life and innovation. With this
film, I am interested. I like the cast, Woo-ping Yuen always does great work,
and Wong is a filmmaker I respect deeply. Thus, I certainly will check it out –
just probably not in theaters. Trailer: Here.
Art-House Comedies:
In
a World… (Lake
Bell) – Comedy – Aug 9
Plot
Summary: Carol is the daughter of the king of movie-trailer voice-overs.
She, however, makes her living as a vocal coach and is generally considered an
underachiever. In an effort to aspire for more, she decides to pursue her dream
of following in her father’s footsteps and become the first female voice-over voice
in movie-trailers. Filmmakers: Actress Lake
Bell makes her feature debut writing and directing this film. She is working
with composer Ryan Miller (The Kings of Summer),
cinematographer Seamus Tierney
(Liberal Arts), and
production designer Megan Fenton.
Cast: Lake Bell also stars in the film, and
brings along a bunch of her friends in supporting roles, including: Fred Melamed, Demetri Martin, Ken Marino, Rob Corddry, Nick Offerman, Geena Davis, Jeff Garlin, and Eva Longoria. Expectations: In a World… looks very funny and it
is nice to see a comedy built around a female lead that is not purely predicated
on them engaging in pratfalls or emotional breakdowns. The film won the Waldo
Salt Screenwriting Award (for Lake Bell) at this year’s Sundance Film Festival,
and also competed for the Grand Jury Prize. This is worth checking out for fans
of good indie comedies. Trailer: Here.
Prince Avalanche (David Gordon Green) – Dramedy –
Aug 16
Plot Summary:
Alvin and Lance spend the summer of 1988 as highway road workers,
leaving their city lives behind. Isolated from everything, their minds begin to
drift and conflict arises between the two men. Filmmakers:
Writer-director David Gordon Green started out his career making good indie
films (such as George Washington
and All the Real Girls) and
then moved on to more mainstream comedies (Pineapple Express, Your
Highness, and Eastbound
& Down). However, his last two features have not been well received by
critics (The
Sitter is particularly bad). Prince Avalanche sees him return more to his
roots as an indie filmmaker. He is working again with frequent collaborators composer
David Wingo, cinematographer Tim Orr, and production designer
Richard Wright. He is also
working with the band Explosions
in the Sky on the score. Cast: The film
stars Paul
Rudd and Emile Hirsch,
with Lynn Shelton providing
voice work. Expectations: Prince Avalanche
played to mixed reviews at this year’s Sundance Film Festival. However, it won
Best Director at the Berlin Film Festival. It looks like a decent character
dramedy. Paul Rudd and Emile Hirsch are both good actors and should be able to carry
the film and engage the audience. And, despite The Sitter, David Gordon Green
is still one of the better American indie directors. I look forward to renting
it. Trailer: Here.
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