A lot of great films have come
out in 2015 so far. Blockbusters like Avengers: Age of Ultron, Mad Max: FuryRoad and Pixar’s Inside Out, as well as a bunch of really good indie films like
Ex Machina, Clouds of Sils Maria, It Follows, Love & Mercy, Me and Earl and
the Dying Girl, Slow West, What We Do in the Shadows, Far from the Madding
Crowd, Dope, While We’re Young, and ‘71. It is easy to say that all these
independent films are under seen (because they are), but that is a function of
availability and the economics of film distribution. One might also say that
Mad Max: Fury Road is under seen relative to other big blockbusters like
Jurassic World and Furious 7, both of which have greatly out-performed Mad Max
at the box office but are not on the same level of critical praise (or even
close – personally, I think Furious 7 is 2015’s most overrated film so far).
Thus, I am going to look at two Hollywood films that had all the right elements
to be hits but failed commercially and critically; when really, they are both very
good films.
Director: Michael Mann
Stars: Chris Hemsworth,
Wei Tang, Viola Davis, Leehom Wang, Ritchie Coster, John Ortiz, and Yorick van
Wageningen
Plot
Summary: When a hacker’s malware triggers the meltdown of a Chinese
power plant, the Chinese and American governments turn to their own computer
experts to find and stop this new hacker threat.
Why
You Should Give It a Chance: Writer-director Michael Mann makes dynamic
dramas and sprawling crime epics. His films feature beautiful aesthetics and a
gripping realism. For most of his career, his films were greeted with critical
acclaim and strong box office numbers (films like Thief, The
Last of the Mohicans, Heat, The
Insider, and Collateral). His recent efforts, however, seem to have failed to
reach their audiences (although, Miami Vice, Public
Enemies and now Blackhat are all very good crime drama/thrillers that I think
time and perspective will reinstate as canonized quality films). Blackhat
benefits from good leading performances from Chris Hemsworth and Wei Tang, as
well as Mann, cinematographer Stuart Dryburgh and production designer Guy Hendrix
Dyas’s wonderful and vital aesthetics. Blachhat is a topically relevant crime
thriller, playing on the scary idea of the future (or present) of cyber
terrorism, but more than that it is a captivating film, not just in terms of
its use of tension, but in its ability to immerse its viewer in its world and
vision.
Director: Brad Bird
Stars: Britt Robertson,
George Clooney, Raffey Cassidy, and Hugh Laurie
Plot
Summary: With ambitions to make tomorrow better than today, a bright
teen with scientific talent and curiosity (Casey) teams up with a jaded former
wunderkind inventor (Frank) to make those ambitions a reality by finding ‘Tomorrowland’.
Why
You Should Give It a Chance: Let me start with the cast. Britt Robertson
and Raffey Cassidy are fantastic in the film, delivering great and strong
performances (continuing 2015’s seeming attempt to promote feminism in cinema,
Mad Max: Fury Road’s Imperator Furiosa as the poster-woman). George Clooney is
good as well. Writer-director Brad Bird’s films generally provide a good mix of
comedy, resonating drama and brilliant action (his other work includes: The
Iron Giant, The Incredibles,
Ratatouille, and Mission:
Impossible – Ghost Protocol). Tomorrowland is no different; however, what I
think sets it apart and makes it something special and worthwhile is its
cinematic/dramatic aspiration. Not just to enthrall, excite and entertain, it
does those things too, but to inspire its viewers to once again dream. Much
like last year’s Interstellar,
Tomorrowland is a call to its viewers to once again look ahead with wonder and
hope and not just settle for the doom and gloom malaise that seems to have
overcome us as a people. We do not like to think about the future, because now
the future does not seem as bright as today. But our dreams, imagination, ingenuity, and
work effort can change that. This is what is at the heart of Tomorrowland.
Available on: Blu-ray
and Video
On-Demand
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