Showing posts with label Lionel Banks. Show all posts
Showing posts with label Lionel Banks. Show all posts

Monday, August 25, 2014

Movie of the Week – Mr. Smith Goes to Washington

This week’s movie: Mr. Smith Goes to Washington (1939)

Jefferson Smith is a naïve man who is appointed to fill a vacancy in the U.S. Senate by those in power in his state, thinking that he will not cause any trouble. Washington politics prove to be a rude awakening for Smith, as he decides to go head-to-head with political corruption, refusing to back down.

Mr. Smith Goes to Washington is one of American auteur Frank Capra’s greatest films. Capra promoted the ideals of American life with his films – a sense of morality and sentimentality. His best include: It Happened One Night, Mr. Deeds Goes to Town, You Can’t Take It with You, Mr. Smith Goes to Washington, Arsenic and Old Lace, and It’s a Wonderful Life. On this film, he worked with composer Dimitri Tiomkin, cinematographer Joseph Walker, and art director Lionel Banks.

The cast is fantastic. The film stars James Stewart, and features Jean Arthur, Claude Rains, Edward Arnold, Thomas Mitchell, and Harry Carey in support.

To some, Mr. Smith Goes to Washington is sentimental nonsense. The film believes in moral people willing to stand up for what is right against seemingly insurmountable odds. Jefferson Smith is a man who cares deeply about what America means (freedom and so on) and wants to leave the country in better hands than he found it. The film may seem sentimental now because it is abundantly clear that Washington (and really government at almost every level) is completely corrupt and not filled with those looking to make the country or their states better (in almost all cases). Rather, our government has become a cesspool of special interest groups and powerful lobbyists who bog down and mare everything in their filth, as politicians now serve at the pleasure of those willing to fund their campaigns and give them jobs, speaking engagements, and other perks (these groups usually representing large corporate interests and religious groups – both of which put profit/ideology ahead of what is best for the country in the long run). We all know the system is desperately broken and completely disgustingly corrupt, but no one really cares. Today, Mr. Smith Goes to Washington is nonsense because apathy has put us all in a deadly malaise. It is also poignant, however, because it showcases a man willing to fight against the system for something better. We should be so lucky to actually have men and women like that today. This film is just as powerful today because America is on the precipice of disaster. We were the leader in the world in almost every area. Now we fear progress, technology, freedom, immigrants, those who are different, knowledge – we champion ignorance, stupidity, lies, and fear. Apathy is easy when the system is so far gone that actually trying to do anything to make a difference just seems like a waste of time – and, our own lives consume all our time anyway. Again, Mr. Smith Goes to Washington is just as important and powerful today. The smallest can make a difference, if only he or she would try and believe.


Trailer: Here
Available on: DVD and Video On-Demand

Monday, September 10, 2012

Movie of the Week – His Girl Friday


This week’s movie is His Girl Friday (1940).

The romantic comedy is about Hildy Johnson, a reporter who is giving it all up to get married and be a housewife. That is, until her ex-husband and boss Walter Burns comes up with a scheme to win her back both as a reporter and romantically. The film is one of the great screwball comedies by Howard Hawks (his best, though some might say Bringing Up Baby). Hawks worked with veterans of the genre cinematographer Joseph Walker and art director Lionel Banks, as well as stars Cary Grant, Rosalind Russell and Ralph Bellamy. The film has some of the best dialog of any film past or present, with Grant and Russell constantly one-upping and talking over each other (it was one of the first films to feature overlapping dialog, if not the first). What is incredible is that Walter Burns is a wholly unlikable character – utterly selfish in everything he does, and yet Grant plays him with such charm that the viewer wants to see him come out on top. It is one of the best romantic comedies of all-time, and a must-see for fans of the genre. Check out the trailer.


Available on DVD and Streaming

Monday, June 11, 2012

Movie of the Week – The Awful Truth


This week’s movie is The Awful Truth (1937).

The romantic comedy is about Jerry and Lucy Warriner, a married couple that get divorced after a series of compounding misunderstandings. And yet, they seem to still love each other as they sabotage each other’s attempts to move on romantically. The film is directed by Leo McCarey, who specialized in comedy coming out of the silent film era. Most of the scenes were improvised by the cast and director on the day, with only the general story arc being known. Before The Awful Truth, for which he won a Best Director Oscar, his best known film was The Marx Brothers’ Duck Soup. He also directed the classic romance drama An Affair to Remember (at the end of his career). McCarey worked with composer Ben Oakland, cinematographer Joseph Walker and art director Lionel Banks on the film. However, its great success is due to its wonderful leads: Irene Dunne and Cary Grant (who would again star together in My Favorite Wife – which is almost the same movie). Ralph Bellamy, Alexander D’Arcy, Cecil Cunningham, Molly Lamont, Ester Dale, and Joyce Compton feature in support. Interestingly, Cary Grant thought that the film was not working at all and wanted to be released from his contract – only for it to be one of his early hits, and help really launch his career as a leading man. The Awful Truth is also one of the early, and best, screwball comedies – many of the classic comedies from the 1930s and early 1940s are screwball comedies. This is a must-see for fans of screwball comedies and Cary Grant. Check out the trailer.


Available on DVD and Streaming