Showing posts with label The Assassination of Jesse James by the Coward Robert Ford. Show all posts
Showing posts with label The Assassination of Jesse James by the Coward Robert Ford. Show all posts

Monday, May 14, 2012

Movie of the Week – The Assassination of Jesse James by the Coward Robert Ford


The western is about Robert Ford, a young man who idolized Jesse James since childhood. When the James Gang takes on new members for a heist in Missouri, Ford tries to not only join the gang but befriend his idol as well, but when he meets the man he gradually comes to resent him.

The film is by New Zealand writer-director Andrew Dominik, making his first American studio picture (coming off the indie hit Chopper). He worked with producers Brad Pitt (who also stars in the film), Ridley Scott and Tony Scott, composers Nick Cave (who also makes a cameo) and Warren Ellis, wonderful cinematographer Roger Deakins (whose beautiful work on the film garnered an Oscar nomination), and production designers Richard Hoover and Patricia Norris.

The cast is also phenomenal with Pitt and Casey Affleck starring (Affleck also garnering an Oscar nod), and Mary-Louise Parker, Sam Rockwell, Jeremy Renner, Sam Shepard, Garret Dillahunt, Paul Schneider, Michael Parks, Ted Levine, and Zooey Deschanel in support, with great narration from Hugh Ross.

Dominik set out to make a Barry Lyndon style film about Jesse James and the man who shot him, delving both into the characters and the ambiance surrounding them. For a western (be it a very modern one stylistically), there is not much action (much to the chagrin Warner Bros. who funded the film), but the characters and landscapes are so rich and telling, that the film is still very much engaging without tons of chases and gun fights. It is a film that grows on you with each viewing. From an aesthetics standpoint, Pitt and Affleck are wonderful, the production design is spot on and Deakins’s photographer is marvelous (and probably among the top 10 or so best shot films of the last decade; he lost the Oscar to Robert Elswit’s work in There Will Be Blood, which is also a stylistically modern western that is very well shot). The Assassination of Jesse James by the Coward Robert Ford is probably not for everyone, but those that enjoy great character pieces will surely find this to be mesmerizing. Check out the trailer.


Available on Blu-ray, DVD and Streaming

Wednesday, October 19, 2011

Roger Deakins – Movies Spotlight – October 2011

Roger Deakins is one of the best working cinematographers right now (and among the best in cinema history). He is best known for his work with the Coen Brothers. This month, he has a new film coming out entitled In Time – directed by Andrew Niccol. It is a sci-fi thriller about a society in which people stop aging at twenty-five, and must work for more time (here is the trailer).

Early Career:

Growing up, Deakins loved painting, which informed his decision to enroll at the Bath School of Art and Design to study graphic design. At school, he discovered his love of photography, leading him to make a photographic documentary of his hometown (Torquary, Devon, England). He then transferred to the National Film and Television School in England. He worked on a number of documentaries after graduating. In the early 1980s he also tried his hand at music videos both as a director and cinematographer. His work includes Carl Perkins’ Blue Suede Shoes and the concert film Van Morrison in Ireland. Building off his music video work, he began to get jobs shooting feature films. His first couple of note are Alex Cox’s Sid and Nancy and Michael Radford’s 1984. In 1989 he came to America, shooting his first three American films: Mountains of the Moon, Air America and The Long Walk Home. Then he was sent the script for the Coen Brothers’ fourth film and a fantastic cinematic partnership was formed.


Collaborations with the Coen Brothers:

Having seen Deakins’s work on the films Stormy Monday, Sid and Nancy and Pascali’s Island, the Coen Brothers (Joel and Ethan) sent him the script to their new film, Barton Fink, and invited him to join the project. Even though his agent advised against it, he met with the brothers and decided to work with them. It ended up winning the 1991 Palme d’Or at the Cannes Film Festival. Next, he shot The Hudsucker Proxy for them. It has brilliant cinematography, being recognized by both the London Critics Circle Film Awards and British Society of Cinematographers. Fargo became the Coen Brothers’ first commercial hit (through their first six films) in 1996. Deakins received his second Oscar nomination for his fantastic work shooting the frigid landscape. The Big Lebowski came next (my personal favorite of the Coen Brothers’ films). Deakins got his fourth and fifth Oscar nominations for his work on the next two Coen Brothers’ films: O Brother, Where Art Thou? and The Man Who Wasn’t There (which might be the most underrated work of his career – he won the 2002 AFI Cinematographer of the Year Award for it). The brothers then went through an artistically slow phase with Intolerable Cruelty and (their remake of) The Ladykillers. In 2007 they won their first Best Picture Oscar for No Country for Old Men and Deakins his sixth nomination. While not as flashy as some of the previous films, A Serious Man features excellent work from Deakins – but, his latest collaboration with the Coen Brothers True Grit features phenomenal work, collecting his ninth nomination (among my favorite cinematography of 2010). All in all, Deakins has shot eleven of their fifteen films.


Other Feature Films:

In addition to Deakins formidable body of work with the Coen Brothers, he has shot a number of fantastic films, beginning with Frank Darabont’s The Shawshank Redemption garnering him his first Oscar nomination. Andy emerging from the sewage drain into the rain is one of the most iconic scenes in cinema history, and beautifully shot. Having worked with Tim Robbins as an actor on The Shawshank Redemption and The Hudsucker Proxy, Robbins hired Deakins to shot his second feature Dead Man Walking. Next he received his third Oscar nomination for his work on Martin Scorsese’s Kundun. He then shot Norman Jewison’s biography of boxer Rubin Carter The Hurricane, and in 2001 he shot his first Best Picture winner for Ron Howard A Beautiful Mind. House of Sand and Fog is sort of a forgotten film from 2003, but Deakins’s work on the film is quite good. He then shot Jarhead working for Sam Mendes for the first time (for Mendes’s first two films he had worked with cinematography legend Conrad Hall). He next shot Paul Haggis’s follow-up to Crash (in that it was his next film) In the Valley of Elah. He also shot Andrew Dominik’s The Assassination of Jesse James by the Coward Robert Ford in 2007, receiving his seventh nomination. While it did not win the Oscar, it is one of the ten best shot films of the decade – absolutely magnificent (the other nine are: Amelie, The New World, Children of Men, Road to Perdition, No Country for Old Men, There Will Be Blood, Pan’s Labyrinth, The Lord of the Rings Trilogy, and City of God). He next shot John Patrick Shanley’s adaptation of his own play Doubt. Deakins got his eighth nomination (sharing it with Chris Menges) for Stephen Daldry’s The Reader and he also shot his second film with Mendes Revolutionary Road that year (2008). He also served as a visual consultant on the animated films How to Train Your Dragon, WALL-E and Rango.

Upcoming:

Up next for Deakins is his third collaboration with Sam Mendes, shooting the twenty-third James Bond film (currently untitled). It will be his first major action film (though he has worked on Hollywood films before, as he shot Courage Under Fire and The Village). While not formally attached, he will likely be shooting the new Coean Brothers’ film Inside Llewyn Davis, due in 2013.


Career Highlights:

1)      Barton Fink (1991) – (DVD, Streaming)
2)      The Hudsucker Proxy (1994)* – (DVD, Streaming)
3)      The Shawshank Redemption (1994) – (Blu-ray, DVD, Streaming)
4)      Dead Man Walking (1995) – (Blu-ray, DVD)
5)      Fargo (1996) – (Blu-ray, DVD, Streaming)
6)      The Big Lebowski (1998) – (Blu-ray, DVD, Streaming)
7)      O Brother, Where Art Thou? (2000) – (Blu-ray, DVD, Streaming)
8)      The Man Who Wasn’t There (2001)* – (DVD, Streaming)
9)      A Beautiful Mind (2001) – (Blu-ray, DVD)
10)   House of Sand and Fog (2003) – (DVD)
11)   No Country for Old Men (2007)* – (Blu-ray, DVD)
12)   The Assassination of Jesse James by the Coward Robert Ford (2007)* – (Blu-ray, DVD, Streaming)
13)   Doubt (2008) – (Blu-ray, DVD, Streaming)
14)   The Reader (2008) – (Blu-ray, DVD, Streaming)
15)   Revolutionary Road (2008) – (Blu-ray, DVD, Streaming)
16)   A Serious Man (2009) – (Blu-ray, DVD, Streaming)
17)   True Grit (2010)* – (Blu-ray, DVD, Streaming)
*Editor’s picks

Thursday, September 22, 2011

Brad Pitt – Movies Spotlight – September 2011

Brad Pitt, 47, has established himself as an A-list actor, starring in both blockbusters and prestige films in Hollywood. In September, he stars in Moneyball. It is about the Oakland A’s baseball general manager Billy Beane – the first GM to use sabre metrics to build a competitive team on a budget. The film is directed by Bennett Miller and written by Aaron Sorkin. It looks to be a possible contender for a Best Picture Oscar nomination.

Early Career:

Pitt began his career in 1987 with un-credited parts in No Way Out and Less Than Zero. He had struggled to establish himself early on, and took acting lessons from Roy London. He made his TV debut in 1987 as well with a guest appearance in Growing Pains, and then got a four-episode part in Dallas. The next year, he got his first leading part in the Yugoslavian-U.S. co-production Adriatic. He continued to take guest roles on TV and parts in smaller movies until he got his first big break with a supporting part in Ridley Scott’s Thelma & Louise in 1991. His character’s love scene with Thelma (played by Geena Davis) defined Pitt as a sex symbol beginning his career as Hollywood’s latest heartthrob. He next took the lead in Cool World (a more adult version of Who Framed Roger Rabbit), but the film was poorly received (though, at the age of 11, I remember eagerly anticipating seeing it). His next big break came in the form of playing one of the leads in Robert Redford’s A River Runs Through It. His performance made him a star in Hollywood, even though Pitt considers it one of his weakest. Now a hot commodity, he took the lead in Kalifornia and a small supporting role in Quentin Tarantino’s first produced scrip True Romance. These two roles built upon the goodwill he accumulated setting him up to be not only a huge star in Hollywood but also an acclaimed actor.

Critics Take Notice:

In 1994, Pitt’s career took an even more significant jump forward with his leading performance in Interview with the Vampire (based on Anne Rice’s novel). However, while the film was received well by moviegoers and critics alike, many critics were not pleased with Pitt’s performance. He also made Legends of the Fall in 1994. The film played mixed reviews, but critics praised Pitt’s performance and he received a Golden Globe nomination for Best Actor. Primarily being viewed as a heartthrob by moviegoers, he decided to play off-type and take a supporting role in Terry Gilliam’s sci-fi opus 12 Monkeys. The role allowed Pitt to show a different side of himself as an actor, impressing many critics and winning the Golden Globe for Best Supporting Actor and receiving an Oscar nomination as well.  In 1996, he took a supporting role in Sleepers. While it was a small role, his performance was a highlight for critics. Pitt took on another offbeat supporting role in Guy Ritchie’s 2000 gangster film Snatch. His gypsy boxer is almost completely unintelligible, but while the film was not as well received by critics as general moviegoer, everyone loved his performance. It also showed off Pitt’s knack for comedy. These five films not only grew Pitt’s popularity among moviegoers but also put him on many a critic’s actor’s to watch list. But, it was his collaborations with director David Fincher that made him an A-list star.


Hollywood Stardom & David Fincher:

Fincher cast Pitt in the lead of his second feature film, Se7en. The film made a fully-fledge star out of Pitt (both with critics and moviegoers) and an auteur director out of Fincher. It grossed more money internationally (and second most domestically) of any of Pitt’s films up until its release in 1995. It also showed off the range that Pitt had as an actor, as his character was deeply flawed. The film is still considered to be a classic (and by many as the best of Pitt’s career). Fincher made The Game next, but then cast Pitt in the co-lead with Edward Norton in his next film Fight Club. Pitt plays Tyler Durden, a role that required a lot of physical work to prepare for, and one that is among his most iconic. While the film was not praised critically upon its release, it has a cult following and is on most critics’ Top 100 films of the Decade lists. These two films with Fincher not only made Pitt a bigger star in Hollywood, but more importantly gave him a ton of acclaim for critics and avid film lovers. In 2008, he again worked with Fincher, taking the lead in The Curious Case of Benjamin Button. He is wonderful as Benjamin Button, a man who ages in reverse. It is a masterpiece of a film and Pitt received tons of acclaim for his performance, with nominations for Best Actor from the Academy Awards, Golden Globes and Screen Actors Guild. Pitt’s collaboration with Fincher is so profound to his career that if you had to take five films to best represent it, three would be his films with Fincher.

Blockbusters:

Now a big star in Hollywood, Pitt started to take roles in blockbuster and Hollywood A-list star vehicles. And while these films are mostly not very good, they did make him an even bigger star (placing him among the top 10 male actors). First up he co-starred with Harrison Ford in the action thriller The Devil’s Own. It was a box office success but a critical failure (as many action films are). Next, he starred in Jean-Jacques Annaud’s epic Seven Years in Tibet, which played to negative reviews and box office disappointment. The same could be said for his next: Meet Joe Black, co-starring Anthony Hopkins (it is probably my least favorite of all Pitt’s films that I have seen which numbers 30). Continuing the streak of bad Hollywood films, in 2001 he starred opposite Julia Roberts in The Mexican (probably my second least favorite of his career), but of course it did well at the box office. Working again with Tony Scott (who also directed True Romance), he starred with Robert Redford in the spy thriller Spy Game. Then, he had his first Hollywood critical and box office hit with Steven Soderbergh’s ensemble theist flick Ocean’s Eleven. It also starred George Clooney, Julia Roberts and Matt Damon. He followed it up with his biggest commercial hit of his career (so far) playing Achilles in Troy (funny side-story, apparently filming was delayed for several weeks due to an on-set injury to Pitt’s Achilles tendon…What are the odds?). He then co-starred with (future wife) Angelina Jolie in Mr. & Mrs. Smith, the second biggest commercial hit of his career (the film was released in 2005, and is commonly thought to be behind his breakup with then wife Jennifer Aniston). He also made two more Ocean’s films (Twelve and Thirteen) during that time. He continues to make blockbuster films today, though not as frequently. His last was 2010’s Megamind.


Great Movies with Great Directors:

With the string of huge commercial hits, Pitt has become a powerful force in Hollywood, which has allowed him to be more selective about his project and having the ability to get films made in the studio system. As a result, he has worked with excellent filmmakers on fantastic films since 2006 beginning with Alejandro Gonzalez Inarritu’s Babel, an ensemble piece about communication and cultural differences between people. It received seven Oscar nominations and won Best Drama at the Golden Globes. Pitt was nominated for Best Supporting Actor. Next, he starred as Jesse James in Andrew Dominik’s The Assassination of Jesse James by the Coward Robert Ford. It is a stunning performance by Pitt (probably my favorite) and a beautiful film. He won the Best Actor Award at the 2007 Venice Film Festival for it. Returning to comedy, Pitt took a supporting role playing a truly stupid man in the Coen Brothers’ (Joel and Ethan) Burn After Reading. Pitt’s performance was called his funniest to date (not that he had done much comedy). Making another black comedy of sorts, Pitt starred next in Quentin Tarantino’s brilliant Inglourious Basterds as Aldo Raine, the head of a group of Jewish American resistance fighters during WWII (it is probably my favorite film Pitt has made, or The Curious Case of Benjamin Button – both are in my top 25 of the last decade). This year, he starred in Terrence Malick’s (brilliant or terrible depending on who you ask) The Tree of Life, which won the Best Film at the Cannes Film Festival. Additionally, Pitt has produced a number of great films through his company Plan B – mostly films he stars in, but also two acclaimed films he did not star in (as well as others): Academy Award Best Picture winner Martin Scorsese’s The Departed and Matthew Vaughn’s Kick-Ass.

Upcoming Projects:

Pitt currently has two films slated for release in 2012, and a ton that he is rumored to be attached to in the future. First, he stars in Cogan’s Trade. Working again with director Andrew Dominik, the film is about a professional enforced who investigates a heist that went down during a mob-run poker game. Next, he stars in Marc Forster’s World War Z (yet another zombie movie…At least it is not vampires). It is about a UN representative who interviews survivors of the great zombie war (of 1812…Not really). 


Career Highlights:

1)      True Romance (1993) – supporting [Blu-ray, DVD, Streaming]
2)      Interview with the Vampire: The Vampire Chronicles (1994) – lead [Blu-ray, DVD, Streaming]
3)      Se7en (1995) – lead* [Blu-ray, DVD, Streaming]
4)      Twelve Monkeys (1995) – lead [Blu-ray, DVD, Streaming]
5)      Fight Club (1999) – lead* [Blu-ray, DVD, Streaming]
6)      Snatch. (2000) – lead [Blu-ray, DVD, Streaming]
7)      Ocean’s Eleven (2001) – lead [Blu-ray, DVD, Streaming]
8)      Babel (2006) – lead [Blu-ray, DVD, Streaming]
9)      The Assassination of Jesse James by the Coward Robert Ford (2007) – lead* [Blu-ray, DVD, Streaming]
10)   The Curious Case of Benjamin Button (2008) – lead* [Blu-ray, DVD, Streaming]
11)   Inglourious Basterds (2009) – lead* [Blu-ray, DVD, Streaming]
12)   The Tree of Life (2011) – lead [Blu-ray, Streaming]
*Editor’s picks