Showing posts with label The Hangover Part II. Show all posts
Showing posts with label The Hangover Part II. Show all posts

Thursday, June 2, 2011

The Hangover Part II (2011) – Review

Review: The Hangover Part II is funny enough, and maybe would be a better film if The Hangover did not already exist, but it does – so this is not. Director Todd Phillips and Warner Bros. seem to be more interested in making money than a compelling narrative (when with a compelling narrative this still would have made the same money, if not more). The story and narrative structure are almost exactly the same as the first film, but Phillips has little regard for the characters and their growth – rather he is mostly concerned with exaggerated jokes that go over-the-top to make this seem even crazier than the first (and I guess we all saw this coming, but forgave it for the potential of another very funny and well done comedy). Sure there are moments of hilarity, but without the character work and strong narrative those moments do not really mean anything and exist on a plane outside narrative filmmaking, falling more under pure spectacle (and this film plays that way, which hurts it gravely). The first was so successful because it was innovative and had relatable and memorable characters. In part II the characters are mere caricatures of themselves (something that sadly seems to be common in sequels) driven by the expectations of fans of the first (with the “dance for me monkey” mentality, and there a monkey in the film!). They no longer feel like real people and thus the audience does not relate to them, and almost regardless of how funny the comedy is and how crazy the misadventures are the film will not be good without the connection with the audience. Phillip’s narrative is also sloppy and built around gags rather than character arcs. It is wholly unsatisfying and even mildly insulting to its audience, especially the third act. Phillips had the opportunity to make another great comedy, working with very funny people, which makes it all the more disappointing that the goal seemingly was to throw something together as close to the first as possible with the aim for dollars and not quality (and the average moviegoer would lap it up anyway, which they have). It almost plays a bit like a parody of itself, which could work given the right tone and crafting, but here it is more the result of shoddy filmmaking than seemingly a conscious effort. In a vacuum (the first film not existing), this would be a mediocre comedy with some really funny parts. As is, The Hangover Part II is just really disappointing and not very good.


Technical and acting achievements: Director Todd Phillips has an up and down track record. He has done some very funny stuff like Old School and The Hangover, but often he gets carried away with gags and jokes and forgets that the most important ingredient to any film is the characters (and secondly the narrative, both of which are weak here, but somewhat saved from sheer terribleness due to some funny stuff and performances).  Christopher Beck’s score is good and fits the tone of the film. Though, his work is somewhat overshadowed by the found-music pieces that fit very well. The cinematography by Lawrence Sher and the production design by Bill Brzeski are probably the best part of the whole film. Both do very good work (especially for a Hollywood comedy). The cast is a little iffier, in terms of good work. The main three actors (Bradley Cooper, Ed Helms and Zach Galifianakis) are good and all are funny (if only their characters where actually given better material and growth), but due to the tired narrative they seemed to be going through the motions a bit (both in performance and their characters confronting the situations). Justin Baratha is not really given anything to do. The same goes for Jeffrey Tambor and Jamie Chung. Ken Jeong plays Mr. Chow as a cartoon version of himself (which you would think would be hard given how crazy he is in the first) and Paul Giamatti is completely uninterested in his performance (probably due to it being poorly written) and it shows as he just phones it in.

Summary & score: All in all The Hangover Part II is a failure (unless you are Warner Bros. and have a big hit on your hands without much effort). Hopefully the third will be better (but I am not holding my breath). 5/10

Thursday, May 5, 2011

At the Movies – May 2011 – Part 3: This Month’s Best Films

Must See of the Month:

The Tree of Life (Terrence Malick) – Drama – May 27 [limited]
The film is about a family with the three boys living in the 1950s. The eldest son grows up losing the innocence of childhood, replaced by disillusion, and his wanting to regain meaning in his life. Writer-director Terrence Malick makes extraordinary films with both a visual and emotional mastery, but he does not prescribe the Hollywood narrative structure, which does make his films less accessible to many average movie-goers. But it should not, as his work is brilliant and vibrant. He is again working with cinematographer Emmanuel Lubezki who shot The New World for him. Their collaboration yielded a visceral visual experience with nature and the setting of each scene playing as big a role in the film as any character. Their past collaboration produced truly excellent work (which makes me so excited that they are working together again, and Lubezki shot Children of Men for Alfonso Cuaron which is also visually amazing). Also returning from The New World is production designer Jack Fisk, who also worked on Malick’s third film The Thin Red Line (Fisk’s return also makes me very happy, as Tree of Life promises to be a visual treat). Wonderful composer Alexandre Desplat (The King’s Speech) is scoring the film. All in all, the crew is very good – as is the cast. Brad Pitt, Sean Penn and Jessica Chastain (who is looking to have a breakout year with this film, The Fields in July, The Help in August, and The Debt in the fall) star, with Fiona Shaw in a supporting role. Aesthetically, there is no question this is the film to see in May (or June depending where you live). Terrence Malick is maybe the best auteur filmmaker working today in terms of using visuals more so than story to create emotions in the viewer. And with such a great cast and crew, this is the must see of the month, and probably among the top five must sees for 2011. Check out the trailer. Review.

Worth Checking Out:

The Hangover Part II (Todd Phillips) – Comedy – May 26
The film is about the Wolf Pack getting together again, as Stu is getting married. The gang travels to Bangkok for the wedding only to find themselves in yet another post-blackout misadventure (don’t you hate it when that happens). Writer-director-producer Todd Phillips is back, as are composer Christopher Beck, cinematographer Lawrence Sher, production designer Bill Brzeski, and stars Bradley Cooper, Zach Galifianakis, Justin Bartha, Ed Helms, Ken Jeong, and (of course) Mike Tyson. Basically, all the pieces that made the first so much fun are back, only substituting Vegas for the even bigger capital of debauchery Bangkok (be that true or perceived, I mean there is this song after all) – and why mess with a winning formula. The cast also features Jamie Chung and Mason Lee (as well as potential and rumored cameos). Phillips and company are going full out on this sequel, which normally would probably be a mistake – but with this film, making everything bigger and crazier is a necessity. Will it work? I hope so. This has the potential to be very funny and the best comedy of the year (as it looks pretty hilarious based on the trailer). It also has the potential to be an overdone self-aggrandized mess. Check out the trailer. Review.