Maybach Music Group – Self Made, Vol. 3 (2013) – Review

Review: Rick Ross’s Maybach Music Group (MMG) has a large lineup to feature on his third posse album, including: Wale, Meek Mill, Gunplay, Rockie Fresh, Stalley, French Montana, and Omarion.

While Self Made Vol 1 and Vol 2 highlight both the talents of MMG’s artists and the sound that the label has cultivated (through the use of their frequently collaborating producers), Vol 3 just has a very bland sound musically – leading some to wonder if the label has peaked. It is a boring album to listen to (which has become a common trend in hip hop in general, and noticeably among MMG releases, particularly Meek Mill’s Dreams & Nightmares and to an even greater extent French Montana’s terrible Excuse My French).

The album is also overstuffed. MMG already has eight artists to showcase – and to this, only Rick Ross, Wale, Meek Mill, and Rockie Fresh really stand out. There are a ton of featured guests, which while a common feature of these Self Made albums it has gotten out of hand. It is easy to just get lost among all the scattered voices, many adding nothing of interest. Only J. Cole and Lupe Fiasco really bring anything to the album (Pusha T’s verse is good too, but way too short and on a bad song). It is too bad that the guests could not have been reduced greatly, leaving room for more from Gunplay and Stalley. Plus, zero French Montana and Omarion would have been better (but that is probably asking too much, since they are on the label).

Really the only positive this album provides, other than a few decent tracks (see Essential Tracks below), is that the album introduces Rockie Fresh, a new MMG signee. He has potential.

Overall, there is really no reason to pick up this album, unless you are a big fan of MMG and their sound. Rather, just cherry pick a couple tracks. 2/5

Essential Tracks:
1) Poor Decisions – Produced by Jake One, featuring Wale, Rick Ross, and Lupe Fiasco

2) God Is Great – Produced by Boi-1da, featuring Rockie Fresh

3) Black Grammys – Produced by Tone P, featuring Wale, Meek Mill, Rockie Fresh, and J. Cole

Available on: Digital Download

Wale – The Gifted (2013) – Review

Review: Wale seems to reside just on the precipice of blowing up – he has the lyrical skill and flow; he just has never had a big hit. His first two albums Attention Deficit and Ambition are both good, but do not stand out either. With his third album, The Gifted, Wale seems to have both embraced his place in hip hop and desperately grasped for a breakthrough hit with a somewhat random assembling of guest features.

The Gifted is at its best when Wale is just riffing off the beats. He has such a nimble flow and he is a layered storyteller that his raps alone are enough to sustain the listener. His lyrics give a much more nuanced and realistic view of urban culture than most other artists who still speak for the streets. Wale’s verses have substance. Musically, the album is very vibrant and often the beats have more of a live band feel, which is a nice change from the constant flow of EDM influenced hip hop songs (and just every genre really). The live drums really pop.

But for all its positives, the album is just flooded with pointless features by artistes that do not fit Wale’s sound, who seemingly are only there to increases sales and draw new listeners – like: Yo Gotti, Nicki Minaj, Juicy J, Rihanna, Wiz Khalifa, Ne-Yo, and 2 Chainz. None of them bring anything to the album. Wale’s MMG mates Meek Mill and Rick Ross also show up, but again neither stand out and their styles somewhat clash with Wale’s – though, Meek Mill and Wale do have some chemistry. The Gifted would probably be a better album without all these features (as really only Cee-Lo Green and Tiara Thomas bring something worthwhile), especially when the genre’s best recent albums (good kid, m.A.A.d city, Born Sinner, and Yeezus) have all been built around a singular voice – all these random features dilute the album’s impact.

The Gifted is sure to please fans of Wale, as it is a good hip hop album. However, it is also slightly disappointing (as it is almost a great album, held back by all the features). 3/5

Essential Tracks:

1)      Golden Salvation (Jesus Piece) – Produced by Lee Major

2)      Bad – Produced by Kelson Camp and Tiara Thomas, featuring Tiara Thomas

3)      88 – Produced by Just Blaze

Available on: Digital Download

Wale – Ambition (2011) – Review

Wale – Ambition

After his critically acclaimed but commercial failure debut Attention Deficit (one of my favorite hip hop albums of 2009), Wale needed a change. It came in the form of teaming up with Rick Ross on his label Maybach Music Group, garnering singles such as 600 Benz (off their label album Self Made Vol. 1). Many fans thought that he was going to sellout and change his style to be more commercial. But the only thing that has changed from Attention Deficit is the beats Wale is rapping over. The lyrical style and content are the same. He has such energy and an infectious lyricism that it is hard to dispute Wale as one of the best right now. No one else sounds quite like him. And for a large portion, his sound has not really changed much either – songs like: Lotus Flower Bomb, Sabotage and Miami Nights could easily be off any of his former releases. If anything, I like that he is incorporating new beats into his style and trying to grow as an artist. I mean is it not the goal to reach as many listeners as possible while maintaining your lyrical integrity, because that is what Wale has done with Ambition. I think he has a great chemistry with producers Tone P and Mark Henry, who both have multiple tracks on the album. But, he also has completely different beats too like Diplo’s Slight Work and beats that fit the popular trend right now, specifically from T-Minus. While it is as good an album as Attention Deficit, it is one of the better hip hop albums of 2011 and I look forward to more form Wale. 4/5

Editor’s Song Picks:

1)      Focused – Produced by Kore, featuring KiD CuDi

2)      Double M Genius – Produced by Mark Henry

3)      Ambition – Produced by T-Minus, featuring Meek Mill and Rick Ross

Available on CD and Digital Download

Wale – The Eleven One Elven Theory Mixtape (2011) – Review

Wale – The Eleven One Elven Theory

Earlier this year we got a taste of Wale as a part of his MMG team (Self Made, Vol. 1). With The Eleven One Eleven Theory we get to hear what to expect from his new solo album Ambition (due November 1, 2011), and it is really good – unlike Self Made (which featured mostly street bangers), this mixtape has a lot more sole and hip hop appeal. Wale’s first album (Attention Deficit) was fantastic, but it greatly undersold. Thus, Ambition is his shot at redemption and validation. Wale brings a lot of energy and lyrical skill to this mixtape, but the mixing and production quality is a bit lacking at times (which is the case with mixtapes in general) and two of the best tracks Chain Music and Bait are expected to be on his upcoming album – both of which hold it back. Tone P does however does provide decent tracks. What stands out the most though is Wale’s drive and rhyming, which is maybe the most important aspect in hip hop. I think this mixtape is solid and a good indication of what we can expect on Ambition (I just hope the production is a bit better – which it should be), an album I am highly anticipating. 3/5

Editor’s Song Picks:

1)      The Podium – Featuring Black Cobain, Tre of UCB & Tone P, produced by Tone P

2)      Varsity Blues – Produced by Tone P

3)      Barry Sanders – Produced by DJ Toomp

Available on Digital Download