Review:
J. Cole follows up his strong debut Cole
World: The Sideline Story with an even better sophomore effort. He is among
the best young artists in hip hop, an MC that fans have a lot of hope in
(though, Kendrick Lamar has surpassed him as the genre’s ‘future’).
On Born Sinner, Cole’s production
is more polished and lush and his lyrics are darker this time (as is the
overall tone). He still maintains his great lyricism and ability as a
storyteller, but seems to be following in the trend of Kanye West’s early work
trying to find his place in mainstream hip hop, ruled by boasting and
materialism, while also fighting against it. There is a duality to his message
on many of the tracks. He wants to just be himself (a nerdy guy with thoughtful
stories and great flow), but feels the pressure to create a persona that
appeals to the mainstream (money, women, cars, power, and so on). This struggle
is a central theme to the album. Additionally, Cole spends much of the
remaining space playfully and emotionally ruminating on his relationships with
women – but his lyrics feel less misogynistic than what the genre usually
offers (misogyny is so mainstream in hip hop and R&B among male artists
that listeners just seem to embrace it – it is not shocking or disgusting; it
is just normal, and that is a sad comment on the way we view women). Cole’s faith
also plays a role in the lyrics and especially in the overall sound for the
album.
Musically, J. Cole’s production
is fantastic and striking (and probably the most brilliant aspect of the album).
While I was a fan of his beats on his mixtapes and previous LP, he has taken a
big step forward with Born Sinner. Every track is musically engaging. I
particularly like the darker melodic themes (songs like She Knows especially)
that Cole has brought to the album. The full cohesive sound feels both aligned
with hip hop in the classical sense (as Cole samples from Notorious B.I.G. and
Outkast) and sounds different than everything else on the radio right now,
which is a very good thing. This is hands down the most musically interesting
album of 2013 so far (a title that Kanye West’s Yeezus is sure to take though,
once we get to hear the full album on June 18th).
Another aspect of the album that
I like and respect is that Cole is confident enough in himself to not feature
any guest verses on the album. This is a personal album and would be lessened
by tons of features (like every other hip hop album). However, that is not to
say that there are not strong contributions from collaborators. Miguel, Amber Coffman
(of Dirty Projectos), and Kendrick Lamar all show up with great choruses.
Producer No I.D. also works with Cole on one of the album’s best tracks.
Born Sinner is a great hip hop
album, again reminding fans that J. Cole is one of the genre’s real artists
(personally, he is in my current top five with West, Lamar, Pusha T, and Drake
– they just make the aesthetically most engaging music in the genre right now).
4/5
Essential Tracks:
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