Showing posts with label Super 8. Show all posts
Showing posts with label Super 8. Show all posts

Friday, February 27, 2015

Top 50 Films of the Decade So Far (2010-2014)

I have seen 785 films from the years 2010 through 2014. Here is my attempt at the fifty best, unbiased (if that is even possible), taking into account aesthetic/technical quality, performances, entertainment value, and dramatic depth. I have also included five must-see documentaries and my personal ten favorites.


2010
Black Swan, a character drama/thriller directed by Darren Aronofsky – Trailer
The Fighter, a character/sports drama directed by David O. Russell – Trailer
Fish Tank, a character drama directed by Andrea Arnold – Trailer
Inception, a crime action/adventure directed by Christopher Nolan – Trailer
The King’s Speech, a period character drama directed by Tom Hooper – Trailer
Never Let Me Go, a sci-fi drama directed by Mark Romanek – Trailer
A Prophet, a crime drama directed by Jacques Audiard – Trailer
The Social Network, a character drama directed by David Fincher – Trailer
True Grit, a western directed by the Coen Brothers – Trailer


2011
Beginners, a character/romance drama directed by Mike Mills – Trailer
Drive, a crime drama directed by Nicolas Winding Refn – Trailer
50/50, a dramedy directed by Jonathan Levine – Trailer
The Girl with the Dragon Tattoo, a mystery thriller directed by David Fincher – Trailer
Harry Potter and the Deathly Hallows: Part 2, an action/adventure fantasy directed by David Yates – Trailer
Incendies, a mystery drama directed by Denis Villeneuve – Trailer
Jane Eyre, a gothic period romance drama directed by Cary Joji Fukunaga – Trailer
Like Crazy, a romance drama directed by Drake Doremus – Trailer
Martha Marcy May Marlene, a character drama directed by Sean Durkin – Trailer
Melancholia, a character drama directed by Lars von Trier – Trailer
Midnight in Paris, a romantic dramedy directed by Woody Allen – Trailer
Moneyball, a character/sports drama directed by Bennett Miller – Trailer
Shame, a character drama directed by Steve McQueen – Trailer
The Tree of Life, a character drama directed by Terrence Malick – Trailer
Tinker Tailor Soldier Spy, a spy drama directed by Tomas Alfredson – Trailer
Warrior, a sports drama directed by Gavin O’Conner – Trailer


2012
The Dark Knight Rises, an action adventure directed by Christopher Nolan – Trailer
Django Unchained, a western directed by Quentin Tarantino – Trailer
The Intouchables, a character drama directed by Olivier Nakache & Eric Toledano – Trailer
Life of Pi, an adventure drama directed by Ang Lee – Trailer
The Master, a period character drama directed by Paul Thomas Anderson – Trailer
Moonrise Kingdom, a romance comedy directed by Wes Anderson – Trailer
A Royal Affair, a period romance drama directed by Nikolaj Arcel – Trailer
Rust and Bone, a character drama directed by Jacques Audiard – Trailer
Zero Dark Thirty, a mystery thriller directed by Kathryn Bigelow – Trailer


2013
Blue is the Warmest Color, a romance/character drama directed by Abdellatif Kechiche – Trailer
Her, a romantic drama directed by Spike Jonze – Trailer
The Hunt, a character drama directed by Thomas Vinterberg – Trailer
Inside Llewyn Davis, a period musical drama directed by the Coen Brothers – Trailer
The Past, a mystery drama directed by Asghar Farhadi – Trailer
Rush, a sports drama directed by Ron Howard – Trailer
Short Term 12, a character drama directed by Destin Cretton – Trailer
12 Years a Slave, a period character drama directed by Steve McQueen – Trailer
The Wolf of Wall Street – a crime drama directed by Martin Scorsese – Trailer


2014
Birdman, a character drama directed by Alejandro G. Inarritu – Trailer
Calvary, a character dramedy/mystery directed by John Michael McDonagh – Trailer
Gone Girl, a mystery thriller directed by David Fincher – Trailer
The Grand Budapest Hotel, a mystery comedy directed by Wes Anderson – Trailer
The Imitation Game, a period character drama directed by Morten Tyldum – Trailer
Interstellar, a sci-fi adventure directed by Christopher Nolan – Trailer
Whiplash, a character drama directed by Damien Chazelle – Trailer


Must-See Documentaries
The Act of Killing, directed by Joshua Oppenheimer – Trailer
Exit Through the Gift Shop, directed by Banksy – Trailer
The House I Live In, directed by Eugene Jarecki – Trailer
The Imposter, directed by Bart Layton – Trailer
Inside Job, directed by Charles Ferguson – Trailer


My Favorite 10 Films of the Decade So Far
The Dark Knight Rises
The Girl with the Dragon Tattoo
Gone Girl
Harry Potter and the Deathly Hallows
Inception
Interstellar
True Grit
12 Years a Slave
Zero Dark Thirty

Wednesday, May 15, 2013

J.J. Abrams – Movies Spotlight – May 2013


J.J. Abrams, 46, is probably best known for his many TV series and for reviving the Star Trek franchise with his very entertaining reboot. This month he is again returning to the Star Trek universe with Star Trek Into Darkness. Captain Kirk and the crew of the Enterprise must engage in a perilous mission after a dangerous terrorist – a man who attacked Star Fleet from within. This is a mission the Enterprise might not come back from. Abrams is working with the same creative team on the film as the first and the actors portraying the Enterprise crew all return. New the series are Benedict Cumberbatch (awesomely playing the villain), Alice Eve, and Peter Weller. Check out the trailer here.

Early Career:

Abrams got his start in Hollywood teaming with writer Jill Mazursky to pen a treatment for Touchstone Pictures that would become Taking Care of Business. Abrams was still a senior in college at the time. He next wrote Regarding Henry for Mike Nichols, and then Forever Young (which in retrospect, does feel like an Abrams’s film – though I never knew he wrote it until doing some research; I saw it when I was eleven). Working again with Mazursky, he wrote the laughably bad comedy Gone Fishin’ before getting to work on his first big project: Armageddon (he was one of six writers to work on the film). Abrams was also getting involved on the production side as well. He produced The Pallbearer (which was co-written and directed by frequent collaborator Matt Reeves – his feature debut) and The Suburbans before writing and producing the horror/thriller Joy Ride. In 1997, Abrams decided to switch his focus to television.


TV Projects:

For his first venture into television Abrams reteamed with his pal Matt Reeves to co-create the young adult drama Felicity for the WB. The series starred and launched the career of Keri Russell (Abrams has since been known for his knack in discovering great female leads). The show is both loved and hated by fans, and what is probably most interesting about it looking back is how different it is to everything he has done since. Abrams is one of the most recognizable creative forces in science fiction and action (not mushy young adult melodrama). It is also worth noting that the show starred Greg Grunberg as well (he was Abrams’s ‘good-luck charm’ for a number of years appearing in some way in seven of Abrams’s projects).

Abrams then created his own production company called Bad Robot – its first project was his new show Alias, an action spy drama about a CIA operative who finds out she has been secretly working for the enemy the whole time and plots revenge from the inside. Like with Keri Russell, Abrams again discovered a fantastic female lead for the show in Jennifer Garner.

Alias aired on ABC and the network had a new project they were kicking around but did not quick know how to make it work. So, Abrams and his co-creators Jeffrey Lieber and Damon Lindelof came up with some ideas for what would become Lost. Abrams directed the two-part pilot episode (his first stab at directing anything big – he did direct a two part episode of Felicity five years earlier). The result was one of the most beloved pilots in television history, perfectly launching the series. However, that was really his last involvement in the show as he passed off creative control to Lindelof and Carlton Cuse.

Sticking with science fiction, Abrams next created a mystery cop series for Fox with Alex Kurtzman and Roberto Orci (who would go on to write the Star Trek films for Abrams) called Fringe. It is about an FBI agent who is tasked with investigating strange phenomenon that begin popping up across the country (it is a bit like The X-Files). Again, Abrams found a brilliant female lead in Anna Torv. (In my opinion) it is his best show to date.

Wanting to return to the action spy drama genre, Abrams co-created Undercovers with Josh Reims for NBC and he even directed the pilot. However, it was a complete failure both critically and commercially – the first failure of Abrams’s TV career. He has not created a series since.

After the disaster that was Undercovers, Abrams decided to take more of a backseat role and be involved in the creative process only at the beginning and then step away. Lending his name to a project would give it clout for networks, but he could primarily focus on his budding film career. His first major series as executive prouder came with the mystery drama Alcatraz for Fox – billed as the new Lost. It never really found an audience and was cancelled after one season (first being delayed to midseason start). Abrams now had two failures.

However, he also executively produced another mystery crime drama for the same TV season with creator Jonathan Nolan (the brother of Christopher Nolan who co-wrote The Dark Knight) called Person of Interest. The series has more of an action aspect to it than Alcatraz (and to some extent the lead characters feel like Batman split into two men – the rich smart Bruce Wayne type and the brute force that is Batman). The show is a hit for CBS.

Abrams’s latest TV project is Revolution for NBC, which he is executively producing for creator Eric Kripke (the man behind the brilliant Supernatural). It remains to be seen if this action adventure show will be good (it is not particularly great so far).


Film Projects:

After the abysmal Mission: Impossible II, Tom Cruise and Paramount Pictures had been pursuing a sequel that would freshen up the material and reinvigorate the franchise (MI2 is pretty much unwatchable for those who have not seen it). Meanwhile, after directing the fantastic Lost pilot Abrams was looking to make the jump to features. Cruise met with Abrams who pitched him an idea for the story (which he co-wrote with Kurtzman and Orci) and they decided to move forward. Abrams completely reworked the story and brought in a whole new cast (aside from series veterans Cruise and Ving Rhames), including past collaborators Keri Russell and Greg Grunberg (who has a very brief cameo). Additionally, Abrams hired composer Michael Giacchino and production designer Scott Chambliss who had worked with him since Alias and Felicity, respectively. With his team in place and Cruise’s support, Abrams made one of the best and most entertaining action films of the decade in Mission: Impossible III – showing off his talent for quick pacing while still managing to cultivate great characters. The film completely brought the franchise back to life.

Seeing the masterful job he did with Mission: Impossible, Paramount was eager to bring Abrams back in to revamp Star Trek, which had all but become a joke cinematically and forgotten on television (in terms of fans in general not liking the latest output from the series). Abrams took the job, again using the same group that worked on MI3. Growing up, Abrams had never been a Trek fan. Thus, he had no issue with rebooting the material completely. While hardcore fans are not overly pleased with the film, Abrams basically made a Star Trek film for the masses – one that the masses and critics love – by making it an action adventure film first (and not slow and cerebral like the past material). It was a great success.

Abrams had been handed the keys to two floundering franchises and he had turned them back into box office and critical gold. This gave him the ability to make pretty much anything he wanted next. Paramount, of course, wanted a new Mission: Impossible and a new Star Trek, but first Abrams wanted to make his passion project Super 8 – a love letter to ET: The Extra Terrestrial and Steven Spielberg (who would executively produce Super 8). Paramount funded the project and for the third time Abrams made a great film that is both very entertaining and action packed while also featuring wonderful characters.


Producing Projects:

As Abrams amassed credibility in the industry built on the success of his films and TV series, Abrams began producing films on a larger scale as well as executively producing television shows (see above). His first big project as a producer came with sci-fi action thriller Cloverfield, which was directed by his friend Matt Reeves and written by Drew Goddard (who wrote on Lost as well). The film was well received by its intended audience and was a box office hit on a modest budget.

Next Abrams produced the romance comedy Morning Glory, which seems like an odd choice of projects unless you remember Felicity. The film is average and just about broke even at the box office.

While many fans of MI3 were hoping Abrams would helm the next Mission: Impossible, he instead made Super 8. However, he stayed on as the film’s producer, hiring writers Josh Appelbaum and Andre Nemec (both of whom wrote on Alias) to script it. Once he was happy with the screenplay and had Cruise’s approval (as Cruise also produces the films), Abrams passed the project on to director Brad Bird to run with, who was an excellent choice to helm the film. Mission: Impossible – Ghost Protocol opened to critical acclaim and box office success (many saying it is even better than MI3, though I am not one of them).


Future Projects:

Abrams has a number of producing projects on the horizon, including: Believe, a fantasy drama series from Alfonso Cuaron and Mark Friedman (which sounds awesome); Almost Human, a sci-fi drama series from J.H. Wyman (who was one of the main creative people on Fringe); Infinitely Polar Bear, a comedy feature from Maya Forbes; the untitled Cloverfield sequel; Mission: Impossible 5, which Drew Pearce is writing (he co-wrote Iron Man 3 with Shane Black); and Star Trek 3, which Abrams could still direct as well.

However even with all those potential projects (as the TV series still need to be picked up), nothing compares to the anticipation and excitement for his next directing gig: Star Wars Episode VII. Unlike Star Trek, Abrams is a huge Star Wars fan. He originally did not want to direct the film for this reason, but then realized that he had to be the one to do it for the very same reason. Michael Arndt is writing the script and Abrams is producing the film as well. It is due in Summer 2015.


Career Highlights:

1)      Alias (2001-2006) – creator, director, executive producer (DVD, Streaming, Trailer)
2)      Lost (2004-2010) – creator, director, executive producer (Blu-ray, Streaming, Trailer)
3)      Mission: Impossible III (2006)* – writer, director (Blu-ray, Streaming, Trailer)
4)      Fringe (2008-2013)* – creator, executive producer (Blu-ray, Streaming, Trailer)
5)      Cloverfield (2008) – producer (Blu-ray, Streaming, Trailer)
6)      Star Trek (2009)* – director, producer (Blu-ray, Streaming, Trailer)
7)      Super 8 (2011)* – writer, director, producer (Blu-ray, Streaming, Trailer)
8)      Mission: Impossible – Ghost Protocol (2011) – producer (Blu-ray, Streaming, Trailer)
9)      Person of Interest (2011-current) – executive producer (Blu-ray, Streaming, Trailer)
*Editor’s picks

Friday, January 27, 2012

LeapBackBlog 2011 Film Awards – Part 5: Films

Film in 2011 saw many very good films. Deciding what made the lists and what did not was very difficult this year, and there are more than a few great films, performances and technical achievements that I had to leave off. The LeapBackBlog Film Awards are comprised of what I think were the best and most interesting films, the strongest performances (taking into consideration who the actor is and what else they have done, and 2011 again features a lot of amazing breakthrough performances), the narrative style that drew me in (best directing), and exquisite craftsmanship (best technical achievements). But really, these are lists of my favorites from the year.


Films:

Beginners is both humorously quirky and very sad (maybe even a little melancholy at times), sometimes within the same scene. It is the story of Oliver (Ewan McGregor), a man who has never had a meaningful relationship in his life. But after his father, Hal (Christopher Plummer), dies, he meets a girl, Anna (Melanie Laurent), who might change all that if he is willing to let her in. Mike Mills crafts the film to be split between just before and just after Hal’s death. Mills also addresses social themes that resonate powerfully today, giving the film a meaningful subtext. Beginners is a treat of a film highlighted by some of the year’s best performances, a brilliant script and an indie sensibility.

Featuring some of 2011’s best performances and a fantastic script, The Descendants is about Matt King (George Clooney), a father who has to take sole responsibility for raising his two daughters, Alexandra (Shailene Woodley) and Scottie (Amara Miller) for the first time, after his wife is gravely injured, while also having a lot of pressure put on him as he makes a huge decision affecting his whole extended family. It takes place in Hawaii and writer-director Alexander Payne incorporates the state and nature heavily into the narrative. The Descendants is quite funny, but it is the deeper dramatic moments and character relationships that make it special (much like Payne’s other great film Sideways).

Nicolas Winding Refn reinvents the action crime drama with Drive, a film about a stunt driver (Ryan Gosling) who moonlights as a wheelman. He makes a connection with a girl, Irene (Carey Mulligan). But when he tries to help her out, taking her husband’s place in a heist, he finds that a gangster (Albert Brooks) has put a contract on his head when the heist goes wrong. Aesthetically speaking, this is a cool film, with stylized ultraviolent beats, interesting photography and marvelous found and scored music. Drive is unlike any crime drama released this year, let alone any other film. It is an engaging (maybe even haunting) visceral experience.

Hanna is a fairytale told in the gritty action thriller genre, but also works as a coming-of-age story. Joe Wright’s film is about a 16-year-old Hanna (Saoirse Ronan) who is raised in solitude and trained to be an assassin by her father (Eric Bana) to keep her safe from a brutal intelligence agent Marissa (Cate Blanchett) who wants her for herself (dead or alive). Once Hanna is ready, her father sends her out into the world to find and kill Marissa. But, Hanna she is not prepared for the relationships she encounters. The film is a lustrous display of incredible aesthetics and performances. The score, production design, cinematography, and directing all help to present Hanna as the entertaining and artistic piece it is.

Harry (Daniel Radcliffe), Ron (Rupert Grint) and Hermione (Emma Watson) have come to the end of their journey in the Deathly Hallows: Part 2. They face bleak odds as they prepare for the final battle with Lord Voldemort (Ralph Fiennes). David Yates has done a masterful job framing the last four films in the series, but the Deathly Hallows (Part 1 and 2) is his crowning achievement. Part 2 features beautiful, heroic and tragic performances, wondrous aesthetics and most importantly a completely satisfying ending this beloved saga. With all the urgency and despair that surrounds the narrative, Yates has an exceptional knack of infusing humor and moments of quiet, getting the tone just right.

The Help is about Skeeter (Emma Stone), an inspiring writer who returns home to Jackson, Mississippi, to find she no longer fits into the societal construct, headed by Hilly Holbrook (Bryce Dallas Howard), made up of children raised by African-American maids who grow up to think of them as second-class citizens. Skeeter decides to write a book from the maids’ perspective enlisting the help of two such maids: Aibileen (Viola Davis) and Minny (Octavia Spencer). Tate Taylor’s film is tremendous because it addresses the social issues raised without the heavy-handed preachy delivery usually abundant, and the characters are fully fleshed out, relatable and real. The Help (along with Beginners) is not only good, but also a socially important film.

A mystery along the lines of films like Oldboy and Memento, Incendies has a dynamic and shocking story, which completely engrosses its viewer. Denis Villeneuve’s unflinching tale is about twins (Melissa Desormeaux-Poulin and Maxim Gaudette) living in Canada who travel to the Middle East to uncover a secret regarding their family, fulfilling their mother’s, Nawal (Lubna Azabal), last wishes. Nawal’s story is incredible and takes on many genres, but primarily that of a thriller. Villeneuve’s film also tackles the issue of how futile and meaningless it is to hate another solely based on religion. Incendies is relevant and stunning, but best of all it has a fantastic journey for its viewer.

Charlotte Bronte’s gothic romance has been adapted for cinema many times (one of my favorites being the 1943 version with Orson Welles and Joan Fontaine), but Cary Fukunaga’s Jane Eyre still feels fresh and new. His Jane (Mia Wasikowska) is a strong feminist character, quick with wit and strong willed, wanting a better life for herself. Mr. Rochester (Michael Fassbender) is very charismatic yet with an internal secret tearing him apart. Fukunaga captures the tone and atmosphere of the novel and characters wonderfully, and the film is beautiful aesthetically to behold with brilliant cinematography, production design and especially its score.

As far as cinematic nostalgia goes, 2011 was full of it – from The Artist and Hugo remembering cinema’s early years to J.J. Abrams fondly reminding many of us of our childhoods with his Spielberg-like sci-fi adventure Super 8. It is about a group of kids, headed by Joe (Joel Courtney), who set out to make a zombie film only to witness a terrible train crash, which unleashes a government secret. Much like Abrams’s other work, Super 8 is fast-paced, full of action and has important character moments – it may be the most entertaining film of the year. It also features a wonderful young cast that even rivals The Goonies. For fans of the genre, this is a very welcome addition.

Writer-director Matthew Vaughn dropped out as director of X-Men: The Last Stand a few weeks into production, but he made amends returning to direct and co-write this prequel/reboot. X-Men: First Class is by far the best in the series and is really the X-Men film fans have been waiting to see. It is about the rise of the X-Men through the friendship that forms between Charles Xavier (James McAvoy) and Erik Lehnsherr (Michael Fassbender) while fighting a common enemy Sebastian Shaw (Kevin Bacon). Setting the film in the 1960’s works fantastically as aesthetically the film is marvelous, especially its production design. I cannot wait to see the next installment with these actors and filmmakers.

Honorable Mentions:

Wednesday, January 25, 2012

LeapBackBlog 2011 Film Awards – Part 3: Directors

Film in 2011 saw many very good films. Deciding what made the lists and what did not was very difficult this year, and there are more than a few great films, performances and technical achievements that I had to leave off. The LeapBackBlog Film Awards are comprised of what I think were the best and most interesting films, the strongest performances (taking into consideration who the actor is and what else they have done, and 2011 again features a lot of amazing breakthrough performances), the narrative style that drew me in (best directing), and exquisite craftsmanship (best technical achievements). But really, these are lists of my favorites from the year.


Directors:


J.J. Abrams had a difficult job going into Super 8 – making a Steven Spielberg style film with child actors (and not have it suck or be a lesser experience to say E.T.). Super 8 is brilliant. Abrams gets phenomenal performances from his young actors, keeps the action coming but still has important character moments and captures the perfect nostalgic tone and look for the film. It is a masterful job of directing, as Abrams further makes an argument for himself as an action auteur.


Terrence Malick seemingly is not interested in telling a story using a Hollywood style narrative, rather he is much more concerned with what the images and motifs in his films garner meaning wise in their viewers. Much like Sergei Eisenstein, Malick juxtaposes images to instill emotion and meaning. The Tree of Life seems to be his greatest departure from conventional narrative style. There is still a story and characters, but the meaning comes from the visual and audio experience. And with this film, Malick has created something quite powerful and to a degree spiritually engaging.


Aesthetically speaking, Lars von Trier’s Melancholia is a masterpiece of visual art. The film is striking – from the slow-motion living painting shots to the majesty of the alien planet approaching Earth. von Trier also achieves marvelous performances from his actors (especially Kirsten Dunst and Charlotte Gainsbourg). Thematically, Trier has produced an intellectually and spiritually intriguing film that warrants multiple viewings (which is always a great compliment for a film). More than any film in 2011, Melancholia is a cinematic experience.


Hanna is also a wonderfully artistic film – especially for what is an action film akin to a Jason Bourne and/or James Bond movie. Joe Wright and his crew have exploited every aspect of the film to create interesting aesthetics. But, Wright succeeds in getting a difficult and fully formed performance from his young lead Saoirse Ronan, as well. The film is very engaging both from an artistic and narrative perspective (as the best films should be). Something that stands out in Wrights work, Hanna being no different, is his use of long takes, and this film has a couple amazing ones (Erik’s fight in the Subway, and the Container Park scene).


Deathly Hallows: Part 2 had a ton of expectation and anticipation and David Yates delivered a completely satisfying film. He faced the daunting task of getting everything important in, giving each character his moments and still keeping the pacing ever moving forward (which is the downfall of many a film, not just epics). And to this degree, Yates does a brilliant job. He gets everything right. His work on the franchise has been wonderful throughout, but this is his best film. Yates does it all – garnering great performances, enchanting aesthetics and a narrative that resonates.

Wednesday, June 15, 2011

Stars to Watch: Part 5 – Movies Spotlight – June 2011

Cinema constantly has new talent each and every year, making good films and opening audiences’ eyes to new characters, stories and worlds. June offers three fantastic female performers to watch.


What She’s Been In:

Jennifer Lawrence, 20, started acting in church plays deciding that she wanted to pursue it as a career – graduating early from high school and begging her parents to take her to New York to find a talent agent. She appeared in a few TV series and TV movies before getting her break becoming a series regular on The Bill Engvall Show on TBS in 2007. The show lasted three years and was not a favorite among critics, but it got Lawrence’s name, face and talent out there for producers and directors to see. She got small roles in the feature films Garden Party and The Poker House before landing her first notable role in Guillermo Arriaga’s (writer of Babel and 21 Grams) The Burning Plain. In the film she plays opposite Charlize Theron and Kim Basinger, winning an award for best young emerging actor/actress at the 2008 Venice Film Festival.  In early 2011, she had a supporting role in Jodie Foster’s strange dramedy The Beaver starring Mel Gibson as a depressed man who copes by talking through a puppet beaver.

Breakthrough:

Lawrence’s breakthrough role came in 2010 with her leading performance in Debra Granik’s Winter’s Bone. The film won Best Picture at the Sundance Film Festival in 2010 and was nominated for a Best Picture Oscar. Lawrence also received an Oscar nomination for Best Leading Actress. The film is about a young girl, Ree Dolly, in the rural Ozark Mountains of Missouri who must hold her family together when she learns that her good-for-nothing father has put her family’s house and land up as a bond for a court appearance. So, she sets out to find him and save the house. In a very difficult role, Lawrence is brilliant, making imagining anyone else in the role unimaginable (it was among my favorite performances of 2010).


June Film:

In June, Lawrence stars in X-Men: First Class opposite James McAvoy and Michael Fassbender (also a star to watch) in the role of Raven (who later becomes known as Mystique). The film is excellent and she has a major role and character arc in it, again showing off her acting talent in somewhat of a challenging part – mixing teenage angst and self-discovery with the isolation and self-deprecating loathing that comes with being different and an outsider. She captures the essence of the role very well. It is about the origins of the X-Men, focusing primarily on Raven, Charles Xavier and Eric Lehnsherr. Directed by Matthew Vaughn, it is a must see for genre fans. Here is the trailer.

Upcoming:

Now a hot commodity in Hollywood (after getting an Oscar nod for essentially her first real leading performance and film), Lawrence has a whole slew of films upcoming. In late 2011, she co-stars with Felicity Jones (who was great in Cemetery Junction) and Anton Yelchin (who she played against in The Beaver) in Like Crazy, which won the 2011 Sundance Film Festival Grand Jury Prize (Lawrence is a Sundance good-luck charm it seems). The film is about a British student who falls for a boy in America, only to be separated from him when she is banned from the U.S. for overstaying her visa. In 2012, she stars with Elisabeth Shue in the horror film House at the End of the Street about a mother and daughter who move to a new town to discover that their neighbors were murdered by their daughter. And, she won the very coveted role as Katniss Everdeen in The Hunger Games. Scheduled to be released in March, the film is about a young girl who joins a survival contest in order to save her community. The story is being done by writer-director Gary Ross (Pleasantville). Additionally (and hopefully), she will reprise her role as Mystique in future X-Men: First Class sequels. She definitely has a bright future.


Career Highlights:

1)      The Burning Plain (2009) – supporting [Blu-ray/DVD/Rent]
2)      Winter’s Bone (2010) – leading* [Blu-ray/DVD/Rent]
3)      X-Men: First Class (2011) – leading* [Blu-ray/DVD/Rent]
*Editor’s Picks


What She’s Been In:

Elle Fanning, 13, is the younger sister of notable child actress (and now actress) Dakota Fanning. Elle got her start playing the younger version of her sister in both I Am Sam and the Taken mini-series (sort of similar to Rory Culkin). In 2003, she finally got her first role independent to her sister in Daddy Day Care. In addition to doing a number of TV episode appearances, Fanning started making a ton of supporting performances in films: The Door in the Floor, Because of Winn-Dixie, Babel, Deja Vu, and The Nines. In 2007, she got her first leading role in Reservation Road, co-starring with Joaquin Phoenix, Mark Ruffalo and Jennifer Connelly in a film about a terrible accident and the two families that it affects. She followed up her wonderful performance starring in Phoebe in Wonderland about a young girl who seeks guidance from her strange drama teacher, as she does not quite fit in the world that surrounds her. Fanning again shined in the role. Next, she won a supporting role in David Fincher’s amazing The Curious Case of Benjamin Button playing a younger version of Cate Blanchett’s character (she also played Blanchett’s daughter in Babel). She brilliantly acts in the small role against Brad Pitt. She also got a small voice-acting role in Astro Boy.

Breakthrough:

While Fanning is good in Phoebe in Wonderland and Reservation Road, she blossoms into a wonderful actress and future star in Sofia Coppola’s 2010 drama Somewhere, which she won the Young Hollywood Award for Actress of the Year for her performance (the film won the 2010 Golden Lion for Best Film at the Venice Film Festival). In the film, she plays the daughter of a hard-living actor played by Stephen Dorff. It is a challenging role because the film is primarily just Fanning and Dorff playing out everyday life, only twisted by the strangeness of celebrity. The film and her performance are both beautiful and kind of sad. While it did not make my list of best performances of 2010, it was on the shortlist.


June Film:

In June, Fanning stars with newcomer Joel Courtney and Kyle Chandler in J.J. Abrams’s Super 8. The sci-fi mystery is about a group of friends in the summer of 1979 who are making a film together when they begin to notice strange happenings around their small town and decide to investigate. Fanning plays a member of the group of friends and the crush of Courtney’s character. She is steals a number of her scenes beguiling both the other characters and the audience, playing both the drama and comedy given to her character marvelously. It is a must see for sci-fi and adventure fans, and has a great nostalgic/homage feel and tone to it. Here is the trailer.

Upcoming:

With great performances in Somewhere and Super 8 and a strong resume of supporting performances, Fanning is set to become a big star in Hollywood in her teens. In 2011 (though the second two could be pushed to 2012), she is set to star in three great films. Working first with Cameron Crowe in his new dramedy We Bought a Zoo, she co-stars with Matt Damon and Scarlett Johansson. Scheduled for a December release, the film is about a father who moves his young family to Southern California to renovate and re-open a struggling countryside zoo. Then, moving on to her next role with an excellent director, she has a supporting part in Francis Ford Coppola’s Twixt Now and Sunrise, which stars Val Kilmer. The film has been described as a gothic thriller that concerns Edgar Allen Poe. Production was finished last year, but it still has no release date. Lastly, she is set to co-star with Alfred Molina, Neve Campbell, Claire Foy, Sebastian Koch, and Max Irons in Vivaldi, a biography of Antonio Vivaldi – a priest who became a music teacher to illegitimate daughters of Venice’s courtesans. All three have great potential. As she continues to develop her talent and take on new roles and characters, expect big things.


Career Highlights:

1)      Reservation Road (2007) – leading [DVD/Rent]
2)      Phoebe in Wonderland (2008) – leading [DVD/Rent]
3)      The Curious Case of Benjamin Button (2008) – supporting* [Blu-ray/DVD/Rent]
4)      Somewhere (2010) – leading* [Blu-ray/DVD/Rent]
5)      Super 8 (2011) – leading* [Blu-ray/DVD/Rent]
*Editor’s Picks


What She’s Been In:

Melanie Laurent, 28,  began her film career in 1999 with The Bridge, after Gerard Depardieu discovered her on the set of Asterix et Obelix contre Cesar. She was there with a friend, who was watching her father work on the set. Depardieu liked her and got her a role in his next film. Laurent continued to take small roles in many French films and TV movies including the excellent films The Beat That My Heart Skipped (which she is very good in, despite having a tiny role) and Days of Glory. Then in 2006, she got the lead in Don’t Worry, I’m Fine, which was well received by critics leading to her winning the Cesar Award for Most Promising Newcomer. She also co-starred with a number of good French actors (like Romain Duris, Juliette Binoche and Fabrice Luchini) in Cedric Klapisch’s Paris, which she was quite good in. Another well received film in the States was The Concert, she plays a violin virtuoso. She has also directed two short films, and has plans to continue directing both film and in the theatre.

Breakthrough:

While Laurent has starred in a number of good French films, she was completely unknown in the States when Quentin Tarantino cast her in his WWII snuff fantasy Inglourious Basterds. Laurent plays the lead role of Shosanna, a Jewish girl whose family is murdered by Nazis in front of her. She moves to Paris and takes over the operation of a theatre. When the opportunity comes to kill Hitler and other high ranking Nazi officials, she puts a plan in motion. Laurent is fantastic in the film, in what is truly a star-making performance (and one of my favorites of the year).


June Film:

In June, Laurent stars in her second American film – the indie Beginners opposite Ewan McGregor, Christopher Plummer and a very cute Jack Russell terrier. It is directed by writer-director Mike Mills and is about a man whose life is jolted when he finds out that his father is gay and has terminal cancer. He has also failed to find a deeply meaningful relationship, and then he meets Anna (played by Laurent). The film has received good reviews from critics in advanced screenings and will hopefully win Laurent more praise allowing her to appear in more films in the States. Here is the trailer.

Upcoming:

Laurent has a few projects due in 2011 in France. In the States, her WWII film about the 1942 Vel’ d’Hiv Roundup called The Round Up (La Rafle in French), which co-stars Jean Reno and Gad Elmaleh, may get a limited release. It has received mostly positive and mixed reviews. She is also rumored to be up for a role in Quentin Tarantino’s new film Django Unchained (due in December 2012) a western about a freed slave who looks for revenge on his former master (Leonard DiCaprio is also rumored to be starring in the film as the villain).


Career Highlights:

1)      The Beat That My Heart Skipped (2005) – supporting* [DVD/Rent]
2)      Days of Glory (2006) – supporting* [Blu-ray/DVD/Rent]
3)      Don’t Worry, I’m Fine (2006) – leading [Not available in the U.S.]
4)      Paris (2008) – supporting* [Blu-ray/DVD/Rent]
5)      Inglourious Basterds (2009) – leading* [Blu-ray/DVD/Rent]
6)      The Concert (2010) – supporting [DVD/Rent]
7)      Beginners (2011) – supporting* [Blu-ray/DVD/Rent]
*Editor’s Picks