Tuesday, May 15, 2012

Dark Shadows (2012) – Review


Review: Dark Shadows is funny and reasonably entertaining, but lacks good supporting characters and a clear tone. The film is about Barnabas Collins, a fisheries tycoon who is cursed by a witch for loving another woman. A curse that finds him turned into a vampire after failing to save his beloved. Trapped in a coffin for two hundred years by the townspeople, also turned against him by the witch, Barnabas is finally set free in 1972. Upon his release, he strives to return his family and family business to prominence, while adjusting to the times. Director Tim Burton and his films are chiefly known for their gothic visual style, which he mattes over every project, whether it is warranted or not. Dark Shadows lends itself nicely to the visual style of Burton, and is a good fit. Burton also has a definitive tone to his work, something like a playful macabre. Again, Dark Shadows is a good fit, as it has themes of both darkness and sort of a situational fish-out-of-water comedy to it. However, Burton has a little bit of trouble with the tone here. Yes, the film is funny, largely due to the antics of Barnabas, but Burton seems to uncharacteristically subdue the darkness. Barnabas, though a nice charming fellow who cares about his family above all else, is still a vampire, vicious and inherently evil. Yet, while Barnabas does kill innocents, Burton treats him as an affable hero, sweeping his crimes under the rug (blaming them merely on the nature of the beast). Much more interesting would have been the exploration of the duality of Barnabas – how do he and his family reconcile his good family acts with his seemingly unforgivable acts against humanity? Burton spends essentially no time addressing this issue – probably because this is supposedly a family film (though, honestly it would have worked better as an R-rated horror comedy). Thus, tonally, Dark Shadows is a mess. The audience is not quite sure how to feel about the characters. This is also compounded by Burton essentially not caring about any of the principal supporting characters, giving them all almost nothing to do in the film. It is the Barnabas Collins show, which is fine, but giving the other characters some narrative (dramatic) weight would have helped the audience fully connect to the story (something that does not seem to happen). The supporting characters just occupy space in relation to Barnabas. Even Angelique Bouchard, the co-lead and witch that curses Barnabas is never really fleshed out making her motives (and thereby the whole plot) fairly shallow. However, all that said, the film is still enjoyable on a comedy level, and because it is visually magnificent. The best Dark Shadows can hope for is to be remembered as a forgettable fun adventure/fantasy comedy, and at worst just another sad reminder of how much talent Burton use to have and how at present he seemingly has lost it all.


Technical, aesthetic & acting achievements: Tim Burton, save for Big Fish, has failed to make a single film on the same level of his early work (directing Pee-wee’s Big Adventure, Beetlejuice, Batman, Edward Scissorhands, Ed Wood and producing The Nightmare Before Christmas) in over thirteen years. Even his most staunch advocates have started to back away. While Dark Shadows is disappointing, it is still a decent film, which is more than can be said for his three previous (which are all terrible): Corpse Bride, Sweeny Todd: The Demon Barber of Fleet Street and Alice in Wonderland. With Dark Shadows, Burton seems to only care about giving frequent collaborator Johnny Depp a platform to create yet another exaggerated character, nothing more. The film really offers nothing to take away from it. However, I will continue to hold out hope for Burton’s return to form (he still has some goodwill left from his early work). Another frequent collaborator, composer Danny Elfman contributes a great score (here is a suite). It is not his best work with Burton, but it is a strong score nonetheless, though somewhat overshadowed by the wonderful soundtrack (things like Donavan’s Season of the Witch or The Moody Blues’ Nights In White Satin). Maybe the best aspect of the film is its cinematography. Bruno Delbonnel’s style perfectly melds with Burton’s, creating the most beautifully shot film of 2012 to date (if only Burton could have employed more landscape shots). Production designer Rick Heinrichs is a great fit for a project such as Dark Shadows, and his wonderful design work is showcased throughout the film. Despite the fact that many of the supporting characters are merely there to occupy superficial roles that serve the plot (in a minor way in most cases), Michelle Pfeiffer, Jackie Earle Haley, Helena Bonham Carter, and Jonny Lee Miller give it their best (l particularly liked Miller and Haley in their small roles). Chloe Grace Moretz (who was the breakthrough actress of 2010 with Kick-Ass and Let Me In, and an actress I generally like) is fairly awful in this film, overacting terribly (making me think that either Burton directed her performance that way, or just did not bother to give her notes and bring it down a notch). Bella Heathcote stands out it her debut performance (at least in a principal role in a major release), harkening back to Winona Ryder in Beetlejuice or Edward Scissorhands a bit (I can see her working well again with Burton). Eva Green is also great as the witch Angelique. She is scorned yet playful enough to make it fun (now if only her scorn and motives were given a bit more real backstory and drama). Johnny Depp is the best part of the film. His Barnabas is fantastic – being both very funny and out-there, but drawn in enough for the audience to relate to his pain (but again, more drama would have been better – Burton just kept this film way too light). Depp’s great skill seems to be in creating characters that are over-the-top and yet still real and organically motivated.

Summary & score: Ultimately it is the lack of true dramatic weight and a mismatched tone that hold Dark Shadows back, and yet it is still funny and enjoyable in a summer blockbuster throwaway sort of way. 6/10

Monday, May 14, 2012

Movie of the Week – The Assassination of Jesse James by the Coward Robert Ford


The western is about Robert Ford, a young man who idolized Jesse James since childhood. When the James Gang takes on new members for a heist in Missouri, Ford tries to not only join the gang but befriend his idol as well, but when he meets the man he gradually comes to resent him.

The film is by New Zealand writer-director Andrew Dominik, making his first American studio picture (coming off the indie hit Chopper). He worked with producers Brad Pitt (who also stars in the film), Ridley Scott and Tony Scott, composers Nick Cave (who also makes a cameo) and Warren Ellis, wonderful cinematographer Roger Deakins (whose beautiful work on the film garnered an Oscar nomination), and production designers Richard Hoover and Patricia Norris.

The cast is also phenomenal with Pitt and Casey Affleck starring (Affleck also garnering an Oscar nod), and Mary-Louise Parker, Sam Rockwell, Jeremy Renner, Sam Shepard, Garret Dillahunt, Paul Schneider, Michael Parks, Ted Levine, and Zooey Deschanel in support, with great narration from Hugh Ross.

Dominik set out to make a Barry Lyndon style film about Jesse James and the man who shot him, delving both into the characters and the ambiance surrounding them. For a western (be it a very modern one stylistically), there is not much action (much to the chagrin Warner Bros. who funded the film), but the characters and landscapes are so rich and telling, that the film is still very much engaging without tons of chases and gun fights. It is a film that grows on you with each viewing. From an aesthetics standpoint, Pitt and Affleck are wonderful, the production design is spot on and Deakins’s photographer is marvelous (and probably among the top 10 or so best shot films of the last decade; he lost the Oscar to Robert Elswit’s work in There Will Be Blood, which is also a stylistically modern western that is very well shot). The Assassination of Jesse James by the Coward Robert Ford is probably not for everyone, but those that enjoy great character pieces will surely find this to be mesmerizing. Check out the trailer.


Available on Blu-ray, DVD and Streaming

Friday, May 11, 2012

B.o.B – Strange Clouds (2012) – Review


Review: Atlanta MC B.o.B is one of the most unique artists in hip hop, and one of the most talented. He can rap with the best, sings very well, produces many of his records, and plays many of the instruments on the record too. B.o.B Presents: The Adventures of Bobby Ray was a great debut album, showcasing his talent and new sound (merging hip hop with pop and pop rock). His sophomore effort, Strange Clouds is seemingly a triumph and disappointment at the same time. On one hand, it features B.o.B on the top of his game musically, as this album does not sound like anything else right now, but on the other hand it is plagued with a number of very weak throwaway tracks (easily could have dropped five songs) and a slew of features (Taylor Swift, Lil Wayne, Chris Brown – it is too bad people continue to work with this guy – T.I., Nicki Minaj, and Trey Songz) that in some cases overshadow B.o.B. The album is also very poppy, and it could be said that this album is placating to the masses of generic pop fans over being a hip hop record. While it is a good track, his collaboration with Taylor Swift, produced by pop super producer Dr. Luke, is practically a paint-by-numbers attempt at a platinum song. Swift’s hook is right in the wheelhouse of popular music, so much so that essentially the rest of the track in meaningless (economically, and musically for many as well). Dr. Luke provides the most interesting and infectious beats on the album (and many of the best tracks). He infuses a dub-step sound into B.o.B’s collaboration with Lil Wayne Strange Clouds to great effect. B.o.B’s flow on his first album sometimes sounded akin to Andre 3000’s delivery; that is not the case on this album, rather he sounds a bit like Tech N9ne on a few tracks (which is not a bad thing, it just stood out as I listened to the album). Overall, Strange Clouds is a good album, and will please B.o.B fans (in most cases, though it is his most poppy album to date by far). 2/5

Editor’s Essential Tracks:
1)      Bombs Away – Featuring Morgan Freeman, produced by B.o.B
2)      Out of My Mind – Featuring Nicki Minaj, produced by Dr. Luke and Billboard
3)      Both of Us – Featuring Taylor Swift, produced by Dr. Luke and Cirkut

Available on CD and Digital Download

Thursday, May 10, 2012

Stars to Watch: Part 9 – Movies Spotlight – May 2012


Cinema constantly has new talent each and every year, making great films and opening audiences’ eyes to new characters, stories and worlds. 2012’s summer offers new films from these four talented new actors.


What He’s Been In:

Dane DeHaan, 25, got his start on Broadway as the understudy to Haley Joel Osment in American Buffalo. He made his TV debut in an episode of Law & Order: SVU and his feature debut in John Sayles’s Philippine-American War film Amigo. On TV, he is best known for his work on the HBO series In Treatment, playing Jesse in season three, and he also appeared in season four of True Blood.

Breakthrough:

Earlier this year, DeHaan had a breakout performance in the mini-action film Chronicle. Directed by Josh Trank, written by Max Landis (both of whom have become sought-after talents as well) and co-starring Michael B. Jordan and Alex Russell, the film is about three high school students who gain telekinetic powers after discovering a mysterious energy source. DeHaan plays one of the teens, whose troubled life leads him down a dark path once he has honed his newfound abilities. The film is a great debut for Trank and Landis, and should be one of the small gems of 2012 – a year that will likely be remembered for its fantastic blockbusters.


Summer Film(s):

In August, DeHaan has a supporting role in Lawless, a new film directed by John Hillcoat and written by Nick Cave (the team behind The Proposition). It has a brilliant cast with Tom Hardy, Jessica Chastain, Guy Pierce, Gary Oldman, Shia LaBeouf, Mia Wasikowska, Noah Taylor, and Jason Clarke. It is about a bootlegging gang in Depression-era Virginia that is threatened by the authorities who want a piece of their profits. DeHaan plays Cricket Pate, a friend to the bootleggers. It looks like a potentially phenomenal gangster film. Trailer: Here. DeHaan also has a supporting role in the strange romance Jack and Diane, which is about two teenage girls who meet in NYC and become destructively infatuated with each other. It stars Juno Temple and Riley Keough, and is written and directed by Bradley Rust Gray. It could see release over the summer or later in 2012 (no trailer yet).

Upcoming:

DeHaan has supporting roles in two upcoming films, one scheduled for September 2012, the other 2013. First, he is featured in The Place Beyond the Pines, directed by Derek Cianfrance. It is about a motorcycle stunt rider who must turn to crime to support his family, making him an enemy of a cop-turned-politician. It stars Ryan Gosling, Bradley Cooper and Rose Byrne. His other film is Kill Your Darlings, about a murder that brings together the great poets of the beat generation. It has a good cast with Daniel Radcliffe, Ben Foster, Elizabeth Olson, Michael C. Hall, Jennifer Jason Leigh, and Jack Huston. It is directed by John Krokidas.


Career Highlights:

1)      In Treatment (2010) – supporting (DVD, Streaming)
2)      True Blood (2011)* – supporting (Blu-ray, DVD)
3)      Chronicle (2012)* – lead (Blu-ray, DVD)
*Editor’s picks


What He’s Been In:

Mark Duplass, 35, got his start making short films with his brother Jay. Their feature debut came in 2005 with The Puffy Chair (one of the first film in the genre that many call mumblecore), which Duplass co-wrote, co-directed, produced, and starred in. Katie Aselton co-stars. He then starred in another mumblecore film Hannah Takes the Stairs with Greta Gerwig (both another member of the mumblecore genre group and a writer on the film). For their second feature, the Duplass Brothers made a thriller comedy with Baghead; Duplass again working with Gerwig (though, this time as a writer-director-producer). Continuing to star in and make films in the mumblecore genre (really, I am just trying to see how many times I can use the word mumblecore in this paragraph), he next starred in Humpday, by another of the genre’s prominent directors Lynn Shelton. In 2010, he got his first more mainstream break taking a small role in Noah Baumbach’s Greenberg, which stars Ben Stiller (and also features Gerwig in her breakthrough performance). Later that year, he and his brother had their third feature Cyrus receive wider distribution, having attracted stars John C. Reilly, Marisa Tomei and Jonah Hill to the project.

Breakthrough:

In 2009, Duplass got his TV breakthrough when he was cast in the FX fantasy football comedy The League, which also stars Nick Kroll, Jonathan Lajoie, Stephen Rannazzisi, Paul Scheer, and Katie Aselton (Duplass’s real life wife, and co-star from his first film). The show is fantastic and hilarious (and in my opinion, one of the best comedies on TV right now). While he has yet to have a breakthrough performance in a feature (though June 2012 should surely provide one), earlier this year he co-wrote and directed Jeff, Who Lives at Home with his brother. Starring Ed Helms, Jason Segel, Susan Sarandon, and Judy Greer, it is about a slacker who discovers his destiny while helping his brother spy on his brother’s wife (who they suspect of infidelity). The film is the best so far from the Duplass Brothers, and has continued to bring mumblecore more into the mainstream.


Summer Film(s):

With two potentially great films out this summer and one that looks good (just not as good), Duplass will likely see his acting career take off. All three due in June, the first is Safety Not Guaranteed. It is about a guy who places an ad seeking a partner for time travel, and three magazine employees who set out to try and interview him. Duplass stars as Kenneth, the potentially crazy guy who places the ad. It looks like funny and interesting film, co-starring Aubrey Plaza and Jake Johnson. Trailer: Here. His second film is Your Sister’sSister written and directed by Lynn Shelton. It stars Duplass opposite Emily Blunt and Rosemarie DeWitt. The film is about Jack. Having just lost his brother, he is invited by his best friend Iris to stay at her family’s island getaway. Going up alone early, Jack encounters Iris’s sister Hannah, forming a connection that becomes complicated when Iris arrives. The film looks like a potentially excellent dramedy, and possibly the best entry of the mumblecore genre. Trailer: Here. Finally, Duplass has a small supporting role in People Like Us, written and directed by Alex Kurtzman (taking a break from action and sci-fi) and starring Chris Pine, Elizabeth Banks, Michelle Pfeiffer, and Olivia Wilde. It is about a man badly in debt who inherits $150,000 from his father, only to find out about a sister he never knew about who his father had intended the money for. Now he has to make a choice. Trailer: Here. Also due in June (though probably only in LA and NYC, if that), is the Duplass Brothers’ fifth feature The Do-Deca-Pentathlon. It stars unknown actors and is about two brother who compete against each other in their own 25-event Olympics (no trailer yet).

Upcoming:

In 2013, Duplass is set to co-star in the dark comedy The Skeleton Twins (though it is still seeking funding) with Anna Faris and Bill Hader. Directed and co-written by Craig Johnson (yet another mumblecore director), it is about two estranged twins who reunite after both cheating death on the same day.


Career Highlights:

1)      The Puffy Chair (2005) – writer, director, star (DVD)
2)      Greenberg (2010) – supporting (Blu-ray, DVD, Streaming)
3)      Cyrus (2010) – writer, director (Blu-ray, DVD)
4)      Jeff, Who Lives at Home (2012) – writer, director (Blu-ray, DVD)
5)      The League (2009-present)* – lead (Blu-ray, DVD, Streaming)
*Editor’s pick


What He’s Been In:

Taylor Kitsch, 31, got his start in 2002, moving from Canada to New York City to pursue modeling with IMG. He also studied acting and was for a time homeless, sleeping on subway cars. In 2004, he relocated his modeling to LA. In 2006, his career started to take off. Aside from getting his breakthrough role (see below), he booked small parts in John Tucker Must Die, Snakes on a Plane and The Covenant. His first big film role came as Gambit in X-Men Origins: Wolverine in 2009. He also took a starring role in the drama The Bang Bang Club.

Breakthrough:

After having a sports drama hit with his feature Friday Night Lights, director Peter Berg decided to make it into a TV series, completely recasting it. Kitsch won the role of Tim Riggins, maybe the show’s most iconic character – a bad boy with a good heart. The series about high school football in Texas played for five seasons. Sometimes plagued by low ratings (as seemingly all the great network shows are), it is regarded among the greatest shows of the last decade. Kitsch very well may be the most successful young actor to emerge from the series. Film wise, Kitsch had his first big starring role in John Carter, Disney’s blockbuster from earlier this year. It should have been a huge breakthrough for him, as he plays the title character, but Disney mismanaged the marketing (or people just did not want to see the film) and it was a colossal failure – though a good film nonetheless.


Summer Film(s):

Kitsch has two films this summer. The first is another huge blockbuster with Battleship (yes, based on the game…no really, it is based on the game…I cannot make this stuff up) due in May. He stars as a naval officer who is thrust into leadership when an alien race threatens the world (and stuff explodes). It sees Kitsch reunite with director Peter Berg, and FNL co-star Jesse Plemons. Alexander Skarsgard, Liam Neeson, Brooklyn Decker, and Rihanna make up the rest of the bigger name cast members. The film looks to be all spectacle, low substance – which is fine for those looking for mindless summer entertainment. Trailer: Here. His second comes in July. Savages, directed by Oliver Stone (looking to finally return to form), is about two independent American pot growers who square off against a Mexican cartel after their girlfriend is kidnapped (by said cartel – after they refused to let the cartel in on their business). In addition to Kitsch, it stars Aaron Johnson, Blake Lively, Selma Hayek, Benicio Del Toro, and John Travolta. Trailer: Here. For me, Savages is the more interesting and likely better of the two.

Upcoming:

In 2013, Kitsch is again working with Peter Berg starring in his new action drama Lone Survivor. Also starring Mark Wahlberg and Ben Foster, the film is about Operation Red Wing – a four member SEAL Team is tasked with the mission of capturing or killing Taliban leader, Admad Shad (I guess movies about finding and/or killing America’s Middle Eastern enemies is all the rage now – there is this film, Zero Dark Thirty and Mission: Black List all coming out soon).


Career Highlights:

1)      Friday Night Lights (2006-2011)* – lead (DVD, Streaming)
2)      John Carter (2012)* – lead (Blu-ray, DVD, Streaming)
*Editor’s picks


What He’s Been In:

Benjamin Walker, 29, got his start learning his craft at the Juilliard School in New York City, graduating in 2004. From there, he got small roles in a few films including: Kinsey, The Notorious Bettie Page, Flags of Our Fathers, and his first starring role in the indie The War Boys. However, Walker is better known for his stage acting career. He has appeared in the Broadway revival of Inherit the Wind, Les Liaisons Dangereuses and many other productions.

Breakthrough:

Walker’s stage breakthrough came in 2007, taking the lead in the irreverent rock musical Bloody Bloody Andrew Jackson. Film wise, he is not well known at all. He was the first choice to play Beast in X-Men: First Class, but dropped out to star in Bloody Bloody Andrew Jackson. His summer movie should serve as his breakthrough in Hollywood.


Summer Film(s):

In June, Walker stars in Abraham Lincoln: Vampire Hunter (which certainly warrants a rental on title alone, no?). Directed by action specialist Timur Bekmambetov (who made Wanted), it co-stars Mary Elizabeth Winstead, Dominic Cooper, Rufus Sewell, and Anthony Mackie. While the title is self-explanatory, the film is about our nation’s 16th President, and his mission to stop vampires from taking over the United States. Trailer: Here. Surprisingly (or unsurprisingly), this is one of the summer’s most anticipated films, and should it be successful Walker will see his film work greatly increase.

Upcoming:

Walker also has another film slated for release in 2012 – Muhammad Ali’s Greatest Fight. Directed by Steven Frears, it is about the U.S. Government going after Muhammad Ali after he refused to fight in the Vietnam War. It co-stars Christopher Plummer, Danny Glover, and Frank Langella in addition to Walker. If done well, this could have Academy Award implications as it has the right pedigree.


Career Highlights:

His career to date has been mostly on the stage.

Wednesday, May 9, 2012

Stars to Watch: Part 8 – Movies Spotlight – May 2012


Cinema constantly has new talent each and every year, making great films and opening audiences’ eyes to new characters, stories and worlds. 2012’s summer offers new films from these four budding new talented actresses.


What She’s Been In:

Alice Eve, 30, got her start while at Oxford, appearing in student stage productions. In 2004, she got her first roles on BBC television with Hawking and The Rotter’s Club, as well as a small part in Stage Beauty. Her first break came when she booked a principal supporting role opposite James McAvoy and Rebecca Hall in 2006’s Starter for 10. She has since taken roles in the comedy crime thriller Big Nothing with Simon Pegg, the failed Crash wannabe Crossing Over, Sex and the City 2, the British rom-com The Decoy Bride, the poorly received horror film ATM, and as a reoccurring character (and love interest of Vincent Chase) in the final season of Entourage.

Breakthrough:

Eve’s breakthrough in her home country of England may have been Starter for 10, but in the States it came in the 2010 rom-com She’s Out of My League, playing opposite Jay Baruchel. The film is about a normal guy (Baruchel) with a normal job (TSA agent) who meets the ‘perfect’ woman (a 10). But his insecurity begins to chip away at their relationship, because he doubts that she really likes him (because, in his mind how could she). Eve plays Molly, the girl who is seemingly way out of the normal guy’s league. The film is funny, and Eve is good in it. In April of this year she also starred opposite John Cusack and Luke Evans in The Raven (her second big American film). It is about Edgar Allen Poe and a young Baltimore detective who team up to stop a madman who begins killing people in the manner described in Poe’s stories. Eve plays the love interest/damsel in distress (while not a weighty dramatic or comedy part, it will get her more exposure).


Summer Film(s):

In May, Eve has a principal supporting role in Barry Sonnenfeld’s Men in Black III, which sees the return of Will Smith (both to the series and to films) and Tommy Lee Jones. Along with Eve, Josh Brolin is new to the cast. The film is about the sudden disappearance from existence of Agent K. Now, Agent J must time travel back to the 1960s to stop Agent K’s assassination. Eve plays young Agent O, who is the head of the MIBs in the present. She is also playing a younger version of Emma Thompson. MI3 is certainly the biggest film of Eve’s career to date, and its success will play a role in her success, but she has already booked an even bigger project set from 2013 which will likely make her more of a household name. Trailer: Here.

Upcoming:

In addition to The Raven and MI3, Eve has a third film slated for 2012. She stars with Samantha Morton, Aaron Paul and Helen Hunt in the drama Decoding Annie Parker. It is about the mostly true story of Annie Parker and the almost discovery of a cure for cancer. In 2013, she stars in J.J. Abrams’s Star Trek Sequel. The whole principal cast is back, with Benedict Cumberbatch and Eve new to the cast. Her role in the narrative and character are still secret, but it will be a film that should see her in many more films to come.


Career Highlights:

1)      Starter for 10 (2006) – supporting (Blu-ray, DVD)
2)      She’s Out of My League (2010) – lead (Blu-ray, DVD, Streaming)
3)      Entourage (2011) – supporting (Blu-ray, DVD)
*Editor’s picks


What She’s Been In:

Zoe Kazan, 28, got her start growing in up in the business. Both her parents are screenwriters and her grandfather is famed auteur director Elia Kazan. Her first role, while still in college at Yale, was in 2003’s Swordswallowers and Thin Men. From there, she took small roles in a number of films – notably The Savages, Fracture, In the Valley of Elah, Me and Orson Welles, Revolutionary Road(which was her first weighty dramatic film role, though still small),  The Private Lives of Pippa Lee, and It’s Complicated. She also began acting in stage plays. She made her Broadway debut in William Inge’s Come Back, Little Sheba. Next she took a role in another Broadway show – Anton Chekhov’s The Seagull. Being a playwright as well, her first play Absalom was performed at the 2009 Humana Festival of New American Plays. She got her first lead parts in the 2009 indie movies I Hate Valentine’s Day and The Exploding Girl. In 2010, she got a role as a reoccurring character on the HBO show Bored to Death (season two).

Breakthrough:

Kazan is known much more as an indie actress than for her work in Hollywood. A resident of Brooklyn, she mostly appears in plays and smaller films. Her breakthrough films in the indie world came with bigger parts in Happythankyoumoreplease and Meek’s Cutoff, both of which saw limited distribution in 2011. Happythankyoumoreplease is Josh Radnor’s dramedy romance following young people in relationships in New York City. Kazan plays one of these people, and the sister to Radnor’s lead. The film is sweet, funny and also a little sappy. Meek’s Cutoff, on the other hand, is a bleak western from Kelly Reichardt, starring Michelle Williams (and frequent Kazan collaborator Paul Dano). It is about settlers in 1845 on the Oregon Trail, having to deal with the bitter hardships of the journey. Kazan plays one of the settlers, in what is probably her most dramatically taxing performance to date.


Summer Film(s):

In July, Kazan co-stars with Paul Dano in the fantasy rom-com Ruby Sparks (which she also wrote – her first produced screenplay). It is about a struggling novelist with writer’s block. One day, to help himself begin his new book, he creates a new character Ruby Sparks (played by Kazan). Magically, she somehow comes into existence and he finds that he can control her by writing her character in his book (and yes, in different hands this could be very dark and depraved). Thus, he tries to write a girl he thinks will love him. The film is the second by Jonathan Dayton and Valerie Faris (the directors of Little Miss Sunshine). It looks light and fanciful, and serves as good counterprogramming to the blockbusters of summer, and hopefully sees Kazan getting bigger roles in the future. Trailer: Here.

Upcoming:

Kazan has a few movies upcoming. First, she stars with Nikki Reed and Steve Howey in the Joss Whedon scripted sci-fi romance In Your Eyes, directed by Brin Hill. Then, she has a supporting role in the Neil LaBute drama Some Girl(s), directed by Jennifer Getzinger (who has directed seven episodes of Mad Men among other TV) and starring Kristen Bell, Jennifer Morrison and Emily Watson. Finally, she stars opposite Jake Johnson in writer-director Jenee LaMarque’s debut The Pretty One, about a twin sister who assumes her sister’s identity after she dies.


Career Highlights:

1)      Revolutionary Road (2008)* – supporting (Blu-ray, DVD, Streaming)
2)      Happythankyoumorepleae (2010) – supporting (Blu-ray, DVD, Streaming)
3)      Meek’s Cutoff (2010) – supporting (Blu-ray, DVD, Streaming)
4)      Bored to Death (2010) – supporting (Blu-ray, DVD, Streaming)
*Editor’s picks


What She’s Been In:

Anna Kendrick, 26, got her start at a young age. Her parents would let her brother and her take the bus down from Maine to New York City to take auditions. Her first acting role came on Broadway in High Society in 1998 (she played Dinah), a performance that would earn her a Tony Award nomination (she is the third youngest actor to be nominated). She appeared in a number of other stage productions before making her film debut in 2003’s Camp (for which she earned an Independent Spirit Award for Best Debut Performance). She next took a supporting role in the indie dramedy Rocket Science. Her work in Rocket Science and Camp lead to her auditioning for and winning a small supporting role in Twilight (playing one of Bella’s high school friends). While her role is relatively small, set against the scale of the series, Kendrick did get her name a face out there to a much broader audience. She reprised her role in three of the sequels.

Breakthrough:

Kendrick’s breakthrough came with 2009’s Up in the Air. She was writer-director Jason Reitman’s first choice to play the role of Natalie Keener (a role that garnered her an Oscar nomination). She is brilliant in the film, holding her own in many scenes against George Clooney. But, I contend that Scott Pilgrim vs. the World and 50/50 also have served as breakthrough films for her (as her work across these three films have made her one of my favorite young actresses). In Scott Pilgrim vs. the World, directed by Edgar Wright, she has a small supporting role as Pilgrim’s sister. While infrequent, she is funny in her scenes (showing that she has a knack for comedy). 50/50 sees her co-starring opposite Joseph Gordon-Levitt and Seth Rogen in director Jonathan Levine’s cancer comedy. Kendrick, much like with Up in the Air, turns in a wonderful performance, playing both dramatic and comedic beats well. These three films (alright, maybe not Scott Pilgrim) have made her one of the most in-demand talents right now.


Summer Film(s):

In May, Kendrick stars in 2012’s celebrity spectacular (cramming as many famous people into one movie as possible – something that generally never turns out well, unless it is called A Bridge Too Far) What to Expect When You’re Expecting. Directed by Kirk Jones and also starring Elizabeth Banks, Brooklyn Decker, Cameron Diaz, Jennifer Lopez, Dennis Quaid (who stopped caring sometime around 2005, and blatantly just shows up for paychecks now), Chace Crawford, Rodrigo Santoro (and many others), the film is about multiple interweaving stories revolving around being pregnant. Kendrick plays one such pregnant person, after meeting Crawford, getting down and then oops/surprise. While in all likeliness, this will neither be good, nor will win any acclaim for Kendrick (if anyone is walking away from this in a positive light it is Chris Rock or Banks), it still is the biggest project Kendrick has been a part of and should continue to build her career momentum (as based on what comes out and what makes money, most cinemagoers do not care if movies are good or not). Trailer: Here.

Upcoming:

Kendrick has a whole slew of project upcoming. She has five slated for release in 2012. First the new animated film from the same studio (and style) as Coraline and Corpse Bride. ParaNorman, directed by Chris Butler and Sam Fell and starring Kodi Smit-McPhee, is the story of a misunderstood boy who can speak to the dead. When the dead begin to rise, he just might be the only one who can save his town (I just wonder why this is coming out in August and not October when it is clearly a Halloween movie). Kendrick has a supporting voice role. Next, she co-stars in the David Ayer cop drama (he seems to only make cop dramas) End of Watch with Jake Gyllenhaal and Michael Pena. Then, she stars in the Jason Moore musical Pitch Perfect (finally getting to show off her Broadway singing voice in a film that more than ten people will see – yes that was a joke directed at Camp). And then, she stars in the religious apocalypse comedy Rapturepalooza, directed by Paul Middleditch. Finally in 2012, she has a supporting role in Robert Redford’s new thriller The Company You Keep starring Shia LaBeouf and Redford, about a former activist who goes on the run after a journalist discovers his identity. In 2013, she co-stars in the Dylan Kidd comedy Get a Job with Alison Brie and Bryan Cranston. While none of these projects immediately scream ‘I’m gonna be great!’, they all have promise, and Kendrick should find herself among the elite actresses of her generation (assuming things work out).


Career Highlights:

1)      Rocket Science (2007) – supporting (DVD)
2)      Up in the Air (2009)* – supporting (Blu-ray, DVD, Streaming)
3)      Scott Pilgrim vs. the World (2010)* – supporting (Blu-ray, DVD)
4)      50/50 (2011)* – supporting (Blu-ray, DVD, Streaming)
*Editor’s picks


What She’s Been In:

Aubrey Plaza, 27, got her start taking on multiple internships, including being an NBC page (like Kenneth – she actually plays a page in a season one episode of 30 Rock). She is also a member of the improv and sketch comedy group the Upright Citizens Brigade Theater (other notable members include: Aziz Ansari, Patton Oswalt, Jake Johnson, and Paul Scheer). Her first role came as a series regular on Mayne Street, a web comedy series based around ESPN personality Kenny Mayne. She has also appeared on the web series Troopers and TV series Portlandia. Film wise, she has been in three small indie films: Someday This Pain Will Be Useful to You, The End of Love and Damsels in Distress (which by far the best of the three). But, outside of her breakthrough roles, she is probably best known as the snarky Julie Powers in the cult (classic) film Scott Pilgrim vs. the World.

Breakthrough:

Plaza’s breakthrough came in 2009’s Funny People, the Judd Apatow film starring Adam Sandler and Seth Rogen about a famous comedian who is diagnosed with a life threatening disease, which leads him to reevaluate his life. She plays an up and coming stand-up comedian and the love interest to Rogen’s character. However, an even bigger breakthrough came when she was cast as a series regular on Parks and Recreation. She plays April Ludgate, a city employ void of all ambition and drive. After struggling through its first season, it has become one of the better TV comedies (especially season two, which is phenomenal).


Summer Film(s):

In June, Plaza takes on her first starring role in the indie summer comedy/adventure Safety Not Guaranteed. Co-starring Jake Johnson and Mark Duplass, and directed by Colin Trevorrow, the film is about a guy, Kenneth, who places an ad in the classified section seeking a companion for time travel. Intrigued, three magazine employees head out to try and interview Kenneth. Plaza plays one of the magazine employees who then gets pulled in by Kenneth and begins to question whether or not he is for real. It looks to be a potentially wonderful comedy, and good counter programming to the blockbusters. Trailer: Here.

Upcoming:

Plaza has two projects upcoming, in addition to the continuation of Parks and Recreation. First, she has a supporting role in Roman Coppola’s new comedy about a graphic designer whose life goes downhill after his girlfriend breaks up with him. Entitled A Glimpse Inside the Mind of Charles Swan III, it stars Mary Elizabeth Winstead, Charlie Sheen and Bill Murray. If CQ is any indication, it should be an interesting film. And second, she has a supporting role in the comedy The To-Do List. Directed by Maggie Carey and starring Rachel Bilson and Scott Porter (and a bunch of great comedians), it is about a high school grad who feels pressure to be more sexually experience before going to college. The first is tentatively scheduled for a 2012 release, the other 2013.


Career Highlights:

1)      Funny People (2009)* – supporting (Blu-ray, DVD, Streaming)
2)      Scott Pilgrim vs. the World (2010)* – supporting (Blu-ray, DVD)
3)      Parks and Recreation (2009-present)* – lead (DVD, Streaming)
*Editor’s picks