Friday, May 8, 2015

TV Spotlight – The 25 Best Series on Television – May 2015

It is that time of the year again when we find out what will be on TV in the Fall/Spring/Summer 2015-2016 and what will not be. It is a good time to discuss the best series on television (or, what is on HBO, AMC, FX, and Netflix).

Let us start with HBO, which boasts TV’s best lineup of dramas and comedies. Also on HBO are television’s best two news programs Last Week Tonight with John Oliver and Vice (forget your local and national new coverage, it is pointless and severely lacking by comparison).


Game of Thrones is the most popular series in the world and it is maybe television’s only true must-see series (particularly for fantasy/adventure genre fans). Its popularity has given HBO the ability to become autonomous with their HBO Now service.


Girls is the brilliantly funny and resonant dramedy from Lena Dunham. The series began as sort of a Sex and the City for a new generation, but I think it has become so much more, really getting at the meat of these characters and what it is like the grow up and become an adult in a much more substantial way. It is also good fun to watch.


Veep is Armando Iannucci’s hilarious political comedy (that feels very much like an extension of his film In the Loop). Sadly, he is leaving the series at the end of Season 4 (its current season), but the great mix of characters/actors and its sharp wit make it one of TV’s best comedies.


True Detective is an anthology series, with new characters, location and a case each season. Season 1 was incredible; Season 2 looks to be primed to be just as good. Nic Pizzolatto has assembled a wonderful cast for Season 2 (but it is still hard to imagine it eclipsing Season 1, which was probably the best thing on television in 2014).


Silicon Valley is a satire from Mike Judge that seems to perfectly capture the culture of the high-tech landscape in Silicon Valley, while remaining biting and hysterical. I am really interested to see where this show with go in the future, as things so far have moved relatively slowly (in terms of pushing the plot forward in a major way).


The Leftovers is fantastic on a character level, as it looks into the lives of the people left behind in a small suburban community after what could be called the Rapture. Opinions are rather mixed, probably due to the religious overtones associated with the series, but personally I think it is an excellent series.


Togetherness debuted this year, telling the story of a couple whose marriage seems to be falling apart. There series is funny and dramatically engaging, but really it is Season 1’s finally that really makes this a must. It is electric.

Moving on to Netflix…


House of Cards is Netflix’s biggest series, but with each season it seems to be losing what made it so good – its characters. At the end of Season 3, we are left with a bunch of unlikable people that we do not really even want to root for and thus do not care about. Watching House of Cards has become more about what will happen next in the plot and not because we are interested in where the characters will be taken next (on a character level). That is too bad, but maybe everything will turn around in Season 4. Otherwise, this might fall out of the top 25.


Orange Is the New Black is probably the best series on Netflix now. It is different from anything else in the medium. The only question I have is how do the show’s writers keep it fresh when the characters are so confined?


BoJack Horseman is a weird and wonderful animated comedy about a washed up sitcom actor who also happens to be a horse. It is a bizarre series, but infectiously funny.


Unbreakable Kimmy Schmidt is the new series from Tina Fey and Robert Carlock. In many ways it feels a lot like 30 Rock in tone and comedy style, though I would argue that it is superior. It too is infectious and addictive.


Daredevil is the first of four planned collaborations between Marvel and Netflix. It is the best superhero series on television (and better than most of the Marvel films as well). As the beginning of watch will eventually become the Defenders, I cannot wait to see how AKA Jessica Jones, Luke Cage and Iron Fist turn out (after the brilliance of Season 1 of Daredevil).

Moving on to Yahoo Screen…


Community was cancelled by NBC only to find a new home on Yahoo Screen. The result is a show that is mostly the same as it was before – very funny, odd and among the greatest things the sitcom-like format has to offer. Will we get a Season 7 or just go straight to the movie?

Moving on to AMC…

With Mad Men ending this year and Breaking Bad ending last year, AMC needs to develop some new great show to take their place (a tall order, given that during their runs both were in the top five of almost every critic’s list).


Better Call Saul is an easy answer, being the prequel to Breaking Bad centering on the unscrupulous lawyer Saul Goodman (or as he is known on this series Jimmy McGill). Thanks to the tireless work of Bob Odenkirk, Vince Gilligan and Peter Gould. This series is excellent, living up to the seemingly high expectations.


The Walking Dead is AMC’s other heavy hitter, and maybe their most addictive series (I usually wait until it is on Netflix because every episode is a cliffhanger). It is amazing that this show has not become tired and boring given that every episode or storyline seems to go the same way (things kick off and then zombies show up to add extra tension). It has its slow moments, but it also has it fantastic, edge-of-your-seats moments.

Moving on to Cinemax…


The Knick is a medical drama that is also a period piece, and so far that formula is working very well, especially on premium cable, giving it an edge over what similar networks shows can even attempt.

Moving on to Comedy Central…

Inside Amy Schumer is hilarious and has made itself mandatory pop-culture viewing (but I do not really think of it as a series, thus it is disqualified from this list); however…


Broad City is also mandatory pop-culture viewing. It is works as a great companion series to Girls, as it too is about young women making a go of it in New York City. It is not nearly as dramatic as Girl, but probably stranger and often funnier. I recommend watching both.

Moving on to FX…

FX is also losing many of its standout dramas with Sons of Anarchy and Justified (a personal favorite) ending.


Fargo is their big dramatic series now, also working as a black comedy. It was promoted as an anthology series, but I expect to see some of Season 1’s characters show up in Season 2.


Archer is an animated spy series comedy that just builds on itself to such an extent that it feels like the whole show has become a series of inside jokes, which is fantastic for its fans that have been with it since the beginning. The voice-acting and jokes are tops (and often insane).


Louie is a comedy series from Louis C.K. that often feels like a drama and seems to resonate on a much deeper level than one would ever expect. Yes it is funny, but more so it is thoughtful and shows us life as it is (which is something that seems to be strangely missing from TV dramas).

Moving on to Masterpiece Theatre…


Sherlock is returning in 2015 with a Christmas Special, and Season 4 in 2016. I cannot wait.


Downton Abbey, everyone’s favorite period soap opera, is ending with Season 6, which will give Julian Fellows the ability to do almost anything with his characters, which should make for great television.


Wolf Hall tells the same story as The Tudors. You could just watch that, but Wolf Hall tells it so well and has such a great cast that it is well worth visiting the exploits of King Henry VIII yet again.

Moving on to NBC…


Hannibal is the only network series on this list. It is also one of the five best series in any format. It is incredibly stylish, well-acted and features wonderful writing and directing. I think it is the best iteration of the characters so far.

And finally, moving on to the Sundance Channel…


Rectify is a slow burn character. It is the opposite of most TV series. It asks you to invest in its characters as it slowly builds the tension without giving you much action or twists or soap operay moments (House of Cards should take notes, as it has delved into full on soap opera theatrics).


There you have it. The 25 TV Series that I think are the best currently on TV for the 2015-2016 season.

Thursday, April 9, 2015

Auteurs (The Great Directors of Cinema History): Part 3 – Movies Spotlight – April 2015

List is in alphabetical order.


Part III – The Modern Director (A.K.A. Blockbusters or Small Indies)


Style/system: American; works in American independent film; flawed characters, stylized moving camera, memorable use of music, an overall aesthetic flare
Active: 1988-Present
Key films to see: Boogie Nights, Magnolia, There Will Be Blood, and The Master


Style/system: American; works in American independent film; highly stylized aesthetics (down to the smallest detail), wonderful and ambitious camera moves, stylized blocking, youths with potential and adults not reaching their potential, memorable use of music
Active: 1994-Presnet


Jacques Audiard
Style/system: French; works in France; an aesthetic flare, but also an actor’s director, flawed characters looking for redemption, gritty settings, dramatically specific/effective use of violence
Active: 1994-Present


Kathryn Bigelow
Style/system: American; works in Hollywood; a terrific use of dramatic tension and suspense, gritty action, strong performances despite films being plot driven
Active: 1978-Present
Key films to see: Point Break, The Hurt Locker and Zero Dark Thirty


Style/system: English; works in England, American independent film and Hollywood; frenetic/up-beat editing, digital photography pioneer; leaves room for comedy in his dramas
Active: 1987-Present
Key films to see: Shallow Grave, Trainspotting, 28 Days Later…, Sunshine, and Slumdog Millionaire


James Cameron
Style/system: American; works in Hollywood; big action movies and grand epics, pushing technology forward (basically, singlehandedly resurrected 3D, for better or worse), an explorer at heart (especially in documentary work)
Active: 1978-Present
Key films to see: The Terminator, Aliens, Terminator 2: Judgment Day, Titanic, and Avatar


Coen Brothers (Joel and Ethan)
Style/system: American; work in American independent film; highly stylized dialog and aesthetics, masters of composition and camera movement, as well as narrative storytelling that deviates from the norm (regardless of genre), oddball characters, leaders of America’s resurgence of independent cinema in the 1980s/1990s
Active: 1984-Present


Sofia Coppola
Style/system: American; works in American independent cinema; highly stylized aesthetics, wandering/free form narratives that feel far more about character than plot, great use of music
Active: 1996-Present
Key films to see: The Virgin Suicides, Lost in Translation and Somewhere


Style/system: Mexican; works in Mexico, England and Hollywood; brilliant long-take tracking shots, naturalistic feel to his work despite often making sci-fi, fantasy and actions films
Active: 1983-Present


Style/system: American; works in Hollywood; prolific music video director, a master of the mystery thriller, bleached out color schemes often on the cool side of the palate, brilliant, specific and expertly used camera moves
Active: 1985-Presnet
Key films to see: Se7en, Fight Club, The Curious Case of Benjamin Button, The Social Network, and The Girl with the Dragon Tattoo


Miyazaki Hayao
Style/system: Japanese; works in Japan; the master of Japanese animation, highly influential for today’s leading animation storytellers, an expert in narrative storytelling and use of drama/comedy
Active: 1972-Present
Key films to see: Nausicaa of the Valley of the Wind, My Neighbor Totoro, Princess Mononoke, Spirited Away, and Howl’s Moving Castle


Todd Haynes
Style/system: American; works in American independent film; subversive narrative structure, provocative storytelling, complex eroticism, wonderful performances
Active: 1978-Present
Key films to see: Superstar: The Karen Carpenter Story, Velvet Goldmine, Far from Heaven, and Mildred Pierce (HBO Miniseries)


Jean-Pierre Jeunet
Style/system: French; works in France; surreal narratives, exaggerated color palates, an aesthetic flare, odd characters and locations yet also charming
Active: 1978-Present
Key films to see: Delicatessen, The City of Lost Children, Amelie, A Very Long Engagement, and Micmacs


Spike Jonze
Style/system: American; works in Hollywood; a prolific music video director, narratives that push the boundaries – feeling as they might exist in our world but also strange and foreign, things are always just a bit off, elicits phenomenal performances
Active: 1991-Present
Key films to see: Being John Malkovich, Adaptation. and Her


Krzysztof Kieslowski
Style/system: Polish; worked in Poland and France; a magnificent use of color and sound (music), deeply emotional narratives and performances, striking aesthetic, powerfully moving storytelling
Active: 1966-1994
Key films to see: A Short Film About Love, A Short Film About Killing, The Double Life of Veronique, Three Colors: Blue, and Three Colors: Red


Ang Lee
Style/system: Taiwanese; works in American independent film, Hollywood, England, and China; conflict between tradition and modernity, repressed emotions, powerful dramatic storytelling, superb performances
Active: 1982-Present
Key films to see: Eat Drink Man Woman, The Ice Storm, Crouching Tiger, Hidden Dragon, Brokeback Mountain, and Life of Pi


David Lynch
Style/system: American; works in American independent film; bizarre narratives, creepy characters, often surreal, violent, highly stylized aesthetics
Active: 1966-Present
Key films to see: Eraserhead, The Elephant Man, Blue Velvet, The Straight Story, and Mulholland Drive


Michael Mann
Style/system: American; works in Hollywood; a master of the crime drama, violent, stark, authentic, highly stylized aesthetics (often featuring wonderful photography)
Active: 1968-Present
Key films to see: Thief, The Last of the Mohicans, Heat, The Insider, and Collateral


Steve McQueen
Style/system: English; works in England and Hollywood; powerful, emotional dramas, wonderful long-take shots (often employing a static camera), garners sensational performances, a true artist
Active: 1993-Present
Key films to see: Hunger, Shame and 12 Years a Slave


Style/system: English; works in England, American independent cinema and Hollywood; the master of the modern blockbuster/epic, psychological narratives, disjunctive narrative structures, grand action sequences, practical effects (in a world of cgi), a champion of film over digital
Active: 1997-Present
Key films to see: Memento, The Prestige, The Dark Knight, Inception, and Interstellar


Park Chan-wook
Style/system: Korean; works in Korea and American independent film; brutal, precise aesthetics, black humor
Active: 1992-Present
Key films to see: J.S.A.: Joint Security Area, Sympathy for Mr. Vengeance, Oldboy, Sympathy for Lady Vengeance, and Thirst


Quentin Tarantino
Style/system: American; works in American independent film; violent, great dialog, highly stylized and referential aesthetics, a film fan first, a leader of the revitalization of America’s independent cinema, a champion of film over digital
Active: 1983-Present
Key films to see: Reservoir Dogs, Pulp Fiction, Kill Bill: Vol. 1, Inglourious Basterds, and Django Unchained


Thomas Vinterberg
Style/system: Danish; works in Denmark, England and American independent film; co-founder of Dogme 95 (a movement to simplify film production), champion and pioneer of digital photography, deeply dramatic narratives, character-driven films, an actor’s director
Active: 1990-Present
Key films to see: The Celebration, Submarino and The Hunt


Lars von Trier
Style/system: Danish; works in Denmark, England and American independent film; co-founder of Dogme 95 (a movement to simplify film production), a minimalist, often makes provocative narratives, pushes social boundaries, highly stylized aesthetics
Active: 1967-Present
Key films to see: Europa, Breaking the Waves, Dancer in the Dark, Dogville, and Melancholia


Wong Kar Wai
Style/system: Chinese; works in China, France and American independent film; a director’s director, emotionally dramatic narratives, solemn tones, tragic romance, a wondrous use of color, highly stylized aesthetics
Active: 1988-Present
Key films to see: Days of Being Wild, Chungking Express, Fallen Angels, In the Mood for Love, and 2046